"Light in the Piazza" was the most overrated pretentious piece of crap I have ever seen in my life. Different strokes, I guess. It's comments like that, which lead me to believe that the show is ahead of its time. Geuttel is a genius. The score is, for my money, one of the best of the last 25 years. In every regard, it was one of the most beautiful, sweeping, romantic pieces that I've ever had the good fortune to witness on a stage.
SpamAlot is a mess. It's a second rate jukebox musical of Monty Python sketches. All three of the other nominees that year will go on to be FAR more important in the American musical canon. I will defend Sara Ramirez's win though. Kelli gave a moving, richly textured performance, but Sara was a force of nature on that stage. It really was, as someone said, a true star-is-born turn. The two performances are hardly comparable, but were both equally deserving in their own right. I give Sara even more props for making that turd of a show tolerable to sit through.
"I seem to have wandered into the BRAIN load-out thread... "
-best12bars
"Sorry I am a Theatre major not a English Major"
-skibumb5290