What a fun full-circle moment, to be posting about this album, a full 6 years after creating this thread.
It made me so happy to listen to this beautiful score again, and I'm grateful to finally have it preserved.
There were a lot of additional songs, most of which I thought were good-not-great, but it seemed like the storytelling impulses behind them made sense. Really interesting that Matt Gould was written INTO the show, then back OUT of the show. But whatever! It makes sense, but it's hard to tell whether the character of Ryan makes for a good replacement, without seeing it onstage.
I respect that they put a lot of contextual story details on the album, but it also reminded how weak some components of this book are lol.
Maybe it's just my bias, but my favorite tracks on the album remain the ones that I remember most from the Second Stage Production: "Beautiful," "Put it All on the Line," "New World," "Be The Light," "I'd Cross the Blue," the finale "Njakuwangula," and the previous title-number "Invisible Thread" (though the song has an entirely new -- and much better -- context)
I do think the polished studio feel has made certain songs/moments lose their raw emotional potency. For example, in the solo toward the end of "Beautiful" ("Is there a way we can see, oh lord?" etc.) I have a distinct memory of the actor delivering it with such passion that his voice seemed to crack. On the album it's more polished and muted. But that's the beauty of live theatre, I guess! I'll always have that memory!