Ditto on Kinky Boots, I really enjoyed the music, but the book left a lot to be desired, especially the ending. I just remember thinking "wait what?" like it seemed to kind of all happen out of nowhere/not make complete sense.
Gentleman's Guide to Love and Murder: I find all of the songs, aside from I've Decided to Marry You, to be extremely forgetful (which I think there's a reason that's the song they sing every time they promote it). It had it's moments for sure, parts that I thought were funny, and I liked the set design, but overall I really didn't find it to be anything special.
Cabaret, Spring Awakening, Man of La Mancha, Porgy and Bess. (Xanadu? Don't know if that counts as a hit. Didn't follow theater news very closely when that came out.)
Lion King (I say it with some reluctance because it was a visually stunning shows with its staging and lighting and costumes but....if you look at my profile picture...my heart belongs to the other big show from that year)
Contact
Fosse
Urinetown (I often get lambasted for this one. I went into it with extremely high expectations and despite having a very good book and performances and some good songs here and there, it just left me cold)
Memphis. Saw it in previews and thought it would close a month later. The Tonys that year were hard for me to watch. Best Musical was bad enough, but Best Book?!
I hated Jersey Boys and it remains to this day the only show I wanted to leave at intermission. It's so very clear why it is such a popular show with audiences, though.
"Ditto on Kinky Boots, I really enjoyed the music, but the book left a lot to be desired, especially the ending. I just remember thinking "wait what?" like it seemed to kind of all happen out of nowhere/not make complete sense.
The book was terrible. It was so predictable that at intermission, my cousin and I listed six things that would happen in the second act. Five happened and the sixth sort-of happened. And neither of us had seen the film.
I also despise the ending. If it was such a financial strain to go to Milan, how did all the factory workers show up for the ending? (They could have fixed that by having the scene transition to Lola and Charlie returning home for a celebration.) Though nothing explains the ex-girlfriend in the finale.
"I hated Jersey Boys and it remains to this day the only show I wanted to leave at intermission. It's so very clear why it is such a popular show with audiences, though."
I forgot to include Jersey Boys. Hated it, though I acknowledge the performances were excellent.
Cats, Cats, Cats, Cats, Cats, Cats, Fosse, Cats, Cats, Cats, City of Angels (although it really wasn't much of a hit for a Tony winner), Cats, Cats, Cats, Into the Woods, Cats, Cats, Cats, Big River, Cats, Cats, Once, Newsies and Cats
I really thought I wasn't going to have an answer for this but... South Pacific at Lincoln Center. It wasn't terrible but I went expecting Kelli O'Hara and I got Laura Osnes and it did not work at all. I still enjoyed the rest of the production.