Matt,
A Lot of shows that are running, are running for Middle American Broadway illiterate people. I recently saw 42nd Street, and for the first time ever seeing a broadway show, there was absolutely nothing to talk about in references to that show. I want to see shows that can start a conversation - one that can make you think, and talk about for hours. I want to see "Dancer in the Dark" on Broadway. Bring more intelligence to the stage instead of lame, superficial, simple shows like Phantom or Mamma Mia. The reason why Sondheim shows don't last, or Caroline or Change is because they make you think. Look at Ragtime. It was an amazing show (my opinion ofcourse), and Once on This Island. Where are they? I'm a supporter of Broadway, but, honestly, to me, shows that transfer from the West End aren't what Broadway is to me. And Movin' Out? Sorry, but Twila Tharp needs to take a class in simultaneous choreography. I probably would have liked it better if Stroman or Calhoun, or even Cilento would have choreographed it. Her moves don't match the music or the lyrics. I just can't understand why that show is still on. Oh yeah, because of Familiarity! If people didn't know Billy Joel, or his music, the show would have closed after previews. And that is my point - People want to see Familiarity. "The only thing they like is what they know" = Sondheim "Putting ti Together"
Justice has spoken
"Do you know what pledge time is, Andrew"? said the PBS Executive.
"Yes", Lloyd Webber replied. "My 50th birthday special must be one program that gets done a lot."
"No", mused the man from PBS heedlessy. "Not so much. Our Stephen Sondheim Carnegie Hall concert. That's a big one."
Spoons, forks and knives seemed suddenly to suspend their motion in horror, all around the table.