Profile for Playbill_Trash

kdogg36 said: "Playbill_Trash said: "Oh I see. I understand color blind casting - but within the same characters though? Does their race change in the story too? Or is there dialogue where the oldest versions say “I remember us as different races back then” and then the flashbacks unfold around them?"

I can't imagineyou're serious in asking if their races change - that would be a wild, fantastic story that might be interesting but def

Broadway Flash said: "No it’s still them as their younger selves. It’s color blind casting so the young and middle Allie are black and young and middle Noah are both white Latin. I’ve heard people criticize this because the race only changes with the older couple. But I think it’s pretty clear in the staging and writing that it’s them"

Oh I see. I understand color blind casting - but within the same characters though? Does their race cha

chrishuyen said: "Like others have said, intermission is the best time to move. Especially if you're somewhere like a box seat or side mezz, it can be easy to spot empty seats leading up to intermission and set a goal of moving there. If it's a seat in your row and you could just scoot down to it, I'd recommend waiting until AT LEAST after the opening number, if not after the second or third songs. (Sometimes shows will claim they have a no late seating policy and still s

Hello, I’m wondering if anyone here has experiences of moving to an empty/unsold seat once they’ve gotten in the theatre - before the show starts.

I’ve never tried this in NYC on broadway before but have had luck at broadway touring venues in other cities. House staff and ushers were paying less attention there and as long as the seat was not sold I’ve been able to move closer.

Has anyone seen this happen at a Broadway theatre or tried this themselve

Penna2 said: "RippedMan said: "Why is it her fault when the casting team brought her in, the director cast her, the producers all saw her and agreed she's right for the part...she's an actress taking a high profile, well paying gig."

Because she can read and, I would hope, had some awareness of who the person was she hoped to play. Apparently, neither was the case."

Everyone here is missing the point. Maybe she CAN’T read!

For John Chu to say there’s no way to continue the movie after something as epic as defying gravity, and that’s why it’s in 2 parts, he is proving he doesn’t know what he’s doing directing a musical. Movie musicals have successfully sustained momentum after epic Act 1 finales for literal decades, from Funny Girl to Dreamgirls. This show is not so special that it deserves anything different. This is subtraction by addition.

Hairspray movie comes out in 2007

Am I the only one thinking this is critical time the Tony Awards Management committee, broadway league, and ATW should be using to beef up the Tony Awards website/YouTube streaming channel? The second attempt to see if WGA will not picket the ceremony is a waste of time in the critical month between nominations and awards.

You got your answer Friday to no longer rely on a live network telecast this year. So change your plans to debut a pre-taped event on the Tony YouTube channel on Jun

HogansHero said: "I also believe Broadway would benefit from the announcement of the awards on June 11. It finally would force the movement of Broadway marketing forward into the 21st Century in a real way rather than as its 20th century managers have tiptoed in greater or lesser degrees of cluelessness (with the League leading the way in the former)."

Damn Hogan, when we agree I don’t know what to do. The stars must have aligned and mercury is in the microwave