Profile for UWS10023

I thought the director had quite a flair for staging and it elevated the quality of the production. The two lead actors lacked a bit of chemistry (I thought it might have been purposeful at first) but part of that had to do with the dialogue which felt at times like it was coming from a writer rather than the characters. The first half had momentum but I found my mind slowly going elsewhere in the second hour. Rachael Crowl was excellent; very natural. Loved her! The cast for the most pa

Robbie2 said: "iluvtheatertrash said: "Kad said: "iluvtheatertrash said: "It's really blowing my mind how many of you watched the show and STILL are misgendering Rob. Were you even paying attention?"

Nobody is doing it intentionally or maliciously."

I didn’t say anyone was doing it intentionally or maliciously. But it blows my mind that you could sit through THAT Show and still make that mistake."

They are not selling balcony and are moving people down so everyone is sitting together. This is happening at the box office. So if you bought Mezzanine and already have your tickets and you want to be moved it probably will be possible by visiting the box office upon entrance. Or just move down when the show starts.

I agree the show would have played better in a smaller house. It has a definite off Broadway vibe to it. It Would’ve worked well at the Belmont too with the

I saw the dress and I enjoyed it immensely. It is a moving account of a young man growing up queer and longing for the stage with a supportive family who encouraged his uniqueness. It is very timely in a new world where a president is declaring that boys are boys and girls are girls. The script is thoughtful and is woven together with home movies and pleasant musical numbers that are performed professionally with a live band. If you are a queer person who found your people in the theater and

I felt the song selections could have been tied together more effectively. As it was, I felt distanced from the material. The set design reminded me of a cruise ship which marginalized the proceedings. When the entire ensemble was on the stage the actors clashed with the design, made even more dizzying by the reflective floor. Some of the choreography looked like dance moves from a swing choir convention. 
 

That being said I thought Lea was thrilling vocally (e

I felt the song selections could have been tied together more effectively. As it was, I felt distanced from the material. The set design reminded me of a cruise ship which marginalized the proceedings. When the entire ensemble was on the stage the actors clashed with the design, made even more dizzying by the reflective floor. Some of the choreography looked like dance moves from a swing choir convention. 
 

That being said I thought Lea was thrilling vocally (espec