Profile for pathman2

CoffeeBreak said: "Wouldn't Ehrenreich be supporting?

The role was nominated for a Lortel, Drama League etc. supportingwhen Off-Broadway.

He deserves a nomination in whatever category."

Actually, the role Patrick Ball is currently playing is what received a Lortel supporting nomination for Thomas Sadoski. I don’t think the original actor who played Max received any acting nominations. 

I would add Alden Ehrenreich to that list. One of my favorite performances and revivals this season, though he probably won’t secure a nomination given the other names involved.

bear882 said: "pathman2 said: "So, I sat in M22 for today’s matinee. It’s sold as partial view (for $110, which is cheap compared to the rest of the orchestra), but I don’t think I missed anything. I definitely saw everyone say their lines. What exactly happens at the end in the backcorner of the stage people are alluding to?"

It sounds like you caught everything from Row M. The scene in question is:

So, I sat in M22 for today’s matinee. It’s sold as partial view (for $110, which is cheap compared to the rest of the orchestra), but I don’t think I missed anything. I definitely saw everyone say their lines. What exactly happens at the end in the back corner of the stage people are alluding to?

CoffeeBreak said: "agree. the highest rates on Broadway merch - andfrom the non-profit Roundabout."

And yet that was the longest line I’ve ever seen for mech at any Broadway show. Lol, it was like a concert. 

rosscoe(au) said: "That hoodie design is truly awful."

FYI, that lyric in that font actually appears on stage. And that green is everywhere! 

Box seats now available to purchase online. Anyone know which seat (there’s 5 on each side) and which side would be best? Thanks!

Hannah is on tonight (and was on at the 5 pm) if anyone is interested. I wish I would have known earlier. 

I think the best view is going to depend on how high the stage is. Could be that the mezzanine might be the best view to see the considerable “floorwork.” The onstage seating seems less desirable to me given the stage layout, I imagine the performers will be facing more to the rest of the house. BUT, this will likely be completely restaged from what was at PAC so I probably won’t buy until previews start. 

I get their strategy, but is it assured that Titanique would be considered a new musical for Tony noms? Could this be deemed a "classic" and go into the best revival category? Does having more or less of the original cast involved make the committee lean one way or another? Just a thought, no hate please.

WldKingdomHM said: "Really I found her to be amazing along with Emma Stone, but she was stunning in Blackbird and deserved that Tony Award"

Tony Award for Blackbird? Nomination yes, win no (went to Jessica Lange). For me, Michelle Williams in Cabaret lacked the fun and charisma behind what makes Sally irresistible to those around her. Emma Stone nailed it though, she was an amazing Sally.

The February schedule now has more performances. There's at least 6 performances each week.

Presale started (with code YELLOW). There is onstage seating ($250) though much of it appears to be held back (rush?). FYI, Saturdays are 5 and 8:30 pm. I love a Saturday 5 pm show, one of the reasons I've seen every Mary so far (I don't live in NYC).

corthomas said: "Any chance anyone wants to share that presale code? Really hoping to get tix before the public sale date. Thanks!"

It wasn't a code, just the first chance to redeem your subscription tickets.

Dan6 said: "I’m desperately hoping to see this when I get to NY on January 2, which would require a three-week extension. Does anyone know if CSC generally builds extensions into their schedule and contracts? I have to assume with this cast an extension through the holidays is a possibility, and their next show (Marcel on the Train) is listed as February-March."

Per the audition notice, the maximum possible extension is only one week (until 12/21).