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Bob Mackie on Catch me if You Can...
Aug 4
2008, 03:15:57 AM
FROM
http://www.nydailynews.com/lifestyle/2008/08/03/2008-08-03_after_4_decades_bob_mackie_still_has_des.html
"It's been a while since you've worked on Broadway. "Minnelli on Minnelli," your last show, closed in early 2000. Would you like to work there?
I've had meetings on a half-dozen shows. I've had talks with Marc Shaiman and Scott Wittman about "Catch Me If You Can."
The show by the creators of "Hairspray" based on the Leonardo DiCaprio-Tom Hanks film? That's interesting.
It's just been some conversations. I've been to a couple workshops. I've known them since they've put on shows in their living room. There's a lot of talent there. The show is set in the 1960s. It's an era I know. You never know how these things go. The music is so beautiful and evocative. They're finding a theater. I think it could be an incredible show."
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re: Shaiman, Wittman, and Waters to write HAIRSPRAY film sequel
Jul 28
2008, 04:51:11 AM
Hi friends!
Marc, please do it!
I cross fingers!!!
All the best
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You cant stop the beat NEW cover for ASCAP Awards
May 9
2008, 02:28:17 AM
http://www.filmmusicsociety.org/news_events/features/2008/050708.html
Marc Shaiman just sung this new cover:
"They Just Want the Beat"
Music and lyric by Marc Shaiman
(sung to the tune of "You Can't Stop the Beat" from Hairspray)
You can't write a melody, 'cause today they just want groove.
If today a guy wrote "Laura," all the suits would disapprove.
And if Max Steiner wrote them "Tara's Theme,"
All the good notes they'd remove!
'Cause the temp scores just go round and round,
All they want is a synth and a ghosty sound.
If you write "Lara's Theme" then you won't stay 'round today,
'Cause they just want the beat!
Everytime I hear drums and drone,
It seems Hans Zimmer's given birth to yet another clone.
When you get hired for a score, it seems you're not alone today.
'Cause they just want the...
Motion of the ocean but without a theme.
And yet it seems to get a score like that, you need a team!
If Hank Mancini were around,
I think he'd cry and scream "Oy vey!"
'Cause they just want the beat!
Pretty soon they won't care if you died,
'Cause in the future I bet every score is CGI'd,
'Cause every film is just a comic or an Xbox ride today.
'Cause you can't stop the...
Prequels and the sequels that just leave me bored.
Or should I pluck a few Gustavo licks to win an award?
Bring me a bottle and a joint; I'll be at Betty Ford! Olé!
'Cause they just want the beat!
'Cause they just want the beat!
'Cause they just want the beat!
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re: Musical Episode of Ugly Betty CANCELLED
Apr 16
2008, 02:39:03 AM
i was LOST in translation...
anyway, before posting this OLD OLD OLD new, i searched about it on this forum and no results were displayed, so I posted it!
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Musical Episode of Ugly Betty CANCELLED
Apr 15
2008, 06:49:14 AM
Bad news. The musical episode of Ugly Betty, which was to have been written by out songwriters and partners Marc Shaiman and Scott Wittman, has been cancelled. The Monkey contacted ABC and was told that due to the writers’ strike, the musical episode was off the dance card this season, though it still might happen next year.
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re: FIRST WVIES MOVIE SOUNDTRACK Question?
Mar 17
2008, 07:55:52 AM
hi
indeed: there are two different soundtrack releases: song and score cds. More info about those two cds, here
http://www.marcshaiman.net/
The First Wives Club (1996)
Varese Sarabande VSD 5781
Original score
The First Wives Club (1996)
Work 485396 2 (Song CD)
Includes a song arranged by Shaiman
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IFMCA awards gives Special Award to Marc Shaiman and Scott Wittman (HAIRSPRAY, the movie)
Feb 15
2008, 04:09:52 AM
The International Film Music Critics Association (IFMCA) is an association of online, print and radio journalists who specialize in writing about original film and television music. The IFMCA Awards are the only awards given to composers by film music journalists.
Congratulations to Marc and Scott:
Q – SPECIAL AWARD
* Hairspray, music and lyrics by Marc Shaiman and Scott Wittman
Despite it not being eligible for competition (as it was not an original 2007 composition), the IFMCA also elected to give special recognition to composer Marc Shaiman and lyricist Scott Wittman for HAIRSPRAY, the big-screen version of their own smash hit Broadway show, which was itself based on John Waters’ cult 1988 film. A good-natured yet bitingly satirical look at rock and roll in Baltimore in the late 1950s, the film was one of the musical highlights of 2007.
--------------
COMPLETE PRESS RELEASE:
2007 AWARD WINNERS ANNOUNCED BY INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION
Dario Marianelli's Atonement named Best Score of 2007
February 15, 2008. The members of the International Film Music Critics Association (IFMCA) have announced the winners of the 4th Annual IFMCA Awards, honoring achievements in film and television music in 2007.
The Score of the Year award goes to Italian composer Dario Marianelli, for his score for director Joe Wright’s ATONEMENT, which is based on the best-selling romantic novel by Ian McEwan. Marianelli spent the majority of his early working career in the United Kingdom and Ireland before coming to international prominence in 2005 with his scores for THE BROTHERS GRIMM and PRIDE & PREJUDICE, the latter of which received an Academy Award nomination.
In addition to the main award, ATONEMENT picked up two other awards, including Best Original Score for a Drama Film, and Film Music Composition of the Year for Elegy for Dunkirk. ATONEMENT has been one of the soundtrack successes of 2007, winning the Golden Globe for Best Score, receiving Academy Award and BAFTA nominations, and being mentioned by numerous film critics organizations in their annual reviews. ATONEMENT is available on CD from Decca Records.
Alexandre Desplat, who led the 2007 nominations, wins two awards: Composer of the Year, and Best Original Score for a Fantasy/Science-Fiction film for his score New Line Cinema’s adaptation of Philip Pullman’s convention-challenging children’s fantasy THE GOLDEN COMPASS. The French composer, who was also IFMCA’s Composer of the Year in 2006, enjoyed a similarly stellar year in 2007. In addition to THE GOLDEN COMPASS, his works included director Ang Lee’s controversial political drama LUST, CAUTION, the whimsical fantasy MR. MAGORIUM’S WONDER EMPORIUM (co-composed with Aaron Zigman), and the French language feature L’ENNEMI INTIME, which received the Best Score award at the 2008 Cèsar Awards, France’s version of the Oscars.
Other winners in specific genres include Alan Menken, who wins the Best Original Score for a Comedy award for his tongue-in-cheek homage to classic Disney on ENCHANTED; John Powell, who wins Best Original Score for an Action/Adventure Film for his score for THE BOURNE ULTIMATUM, the third film based on Robert Ludlum’s best-selling spy thrillers; David Shire, who wins Best Original Score for a Horror/Thriller for his return to mainstream scoring after almost 20 years on director David Fincher’s ZODIAC; and Michael Giacchino, who wins Best Original Score for an Animated Feature for his Grammy-winning, Oscar-nominated score for the gastronomic delight RATATOUILLE.
The Best Original Score for Television award goes to Japanese composer Joe Hisaishi and his work on the Korean television series TAE WANG SA SHIN GI (THE STORY OF THE GREAT KING AND THE FOUR GODS), while the inaugural award in the new Best Original Score for a Video Game or Interactive Media category goes to John Debney for his epic score for LAIR, and recognizes the increasing level of compositional excellence for this exciting and popular media.
British composer Ilan Eshkeri is named Best New Composer of 2007, for his score for Matthew Vaughn's adaptation of the classic Neil Gaiman fantasy adventure, STARDUST. Eshkeri, a former protégé of the late Michael Kamen, helped complete his mentor’s score for the German animated film BACK TO GAYA after Kamen’s death in 2003, and also worked alongside Shigeru Umebayashi on the high-profile Silence of the Lambs prequel HANNIBAL RISING in 2007, cementing his place as one of the most exciting new composers to emerge in recent years.
The Film Music Label of the Year honor again goes to Oakland, California-based Intrada Records, who somehow managed to surpass their own high standards by re-releasing a number of classic, groundbreaking scores in extended versions with re-mastered sound and expansive packages. Amongst their 2007 releases were a pair of Jerry Goldsmith’s finest - ALIEN (Winner of Best New Release/Re-Release/Re-Recording of an Existing Score) and THE WIND AND THE LION – as well as Alex North’s rejected score from 2001: A SPACE ODYSSEY, and the third installment in their anthology of scores from the groundbreaking AMAZING STORIES TV series from the 1980s (Winner of Best Film Music Compilation Album). Douglass Fake is the Owner and President of Intrada.
Despite it not being eligible for competition (as it was not an original 2007 composition), the IFMCA also elected to give special recognition to composer Marc Shaiman and lyricist Scott Wittman for HAIRSPRAY, the big-screen version of their own smash hit Broadway show, which was itself based on John Waters’ cult 1988 film. A good-natured yet bitingly satirical look at rock and roll in Baltimore in the late 1950s, the film was one of the musical highlights of 2007.
The complete list:
A - SCORE OF THE YEAR
* Atonement, music by Dario Marianelli
B - FILM COMPOSER OF THE YEAR
* Alexandre Desplat
C – BREAKTHROUGH COMPOSER OF 2007
* Ilan Eshkeri for Stardust
D - BEST ORIGINAL SCORE FOR A DRAMA FILM
* Atonement, music by Dario Marianelli
E - BEST ORIGINAL SCORE FOR A COMEDY FILM
* Enchanted, music by Alan Menken
F - BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM
* The Bourne Ultimatum, music by John Powell
G - BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM
* The Golden Compass, music by Alexandre Desplat
H - BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM
* Zodiac, music by David Shire
I - BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE
* Ratatouille, music by Michael Giacchino
J - BEST ORIGINAL SCORE FOR A DOCUMENTARY FEATURE
* Earth, music by George Fenton
K - BEST ORIGINAL SCORE FOR TELEVISION
* Tae Wang Sa Shin Gi (The Story of the Great King and the Four Gods), music by Joe Hisaishi
L - BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
* Lair, music by John Debney
M - BEST NEW RELEASE/RE-RELEASE/RE-RECORDING OF AN EXISTING SCORE
* Alien, music by Jerry Goldsmith; Douglass Fake, Michael Matessino and Nick Redman (producers)
N - BEST FILM MUSIC COMPILATION ALBUM
* Amazing Stories: Anthology 3, Douglass Fake (producer)
O - FILM MUSIC RECORD LABEL OF THE YEAR
* Intrada, Douglass Fake
P – FILM MUSIC COMPOSITION OF THE YEAR
* Elegy for Dunkirk from Atonement, music by Dario Marianelli
Q – SPECIAL AWARD
* Hairspray, music and lyrics by Marc Shaiman and Scott Wittman
==================================
The International Film Music Critics Association (IFMCA) is an association of online, print and radio journalists who specialize in writing about original film and television music. The IFMCA Awards are the only awards given to composers by film music journalists.
The IFMCA was originally formed in the late 1990s as the Film Music Critics Jury by editor and journalist Mikael Carlsson, a contributor to filmmusicradio.com and filmmusicweekly.com, and the owner of the Swedish film music label MovieScore Media. Since its inception, the IFMCA has grown to comprise 43 members from countries as diverse as Australia, Belgium, Canada, Cyprus, Germany, Greece, Italy, Poland, Spain, Sweden, Switzerland, the United Kingdom, and the United States of America. The IFMCA presented its first awards in 2004.
The IFMCA strongly feels that a film score’s strength lies in the combined impact of two important elements: the effectiveness, appropriateness and emotional impact of the score in the context of the film for which it was written; and the technical and intellectual merit of the composition when heard as a standalone listening experience. As such, the membership votes for the best scores of each year with these two criteria in mind, and strives to recognize scores which excel in both these areas. As an international organization, the IFMCA also makes conscious efforts to celebrate the best film music, not just from mainstream Hollywood productions, but world-wide, wherever it may originate.
Previous winners of the IFMCA Score of the Year Award were James Newton Howard’s LADY IN THE WATER in 2006, John Williams’ MEMOIRS OF A GEISHA in 2005 and Michael Giacchino’s THE INCREDIBLES in 2004.
For more information about the International Film Music Critics Association, please visit http://www.filmmusiccritics.org or contact press@filmmusiccritics.org.
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London Hairspray Breaks Record With 11 Olivier Award Nominations
Feb 7
2008, 07:50:32 AM
London Hairspray Breaks Record With 11 Olivier Award Nominations
http://www.playbill.com/news/article/114886.html
Congratulatios to Marc and Co.
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re: Spanish Language Cast Recordings
Jan 30
2008, 03:00:04 AM
Hi
Dont miss this link:
http://www.amorevo.com/
they even did a Hairspray show in Spanish!!!!
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What happens if Mr, Shaiman scores Harry Potter...
Jan 29
2008, 03:50:11 AM
Enjoy!!
"Im sorry, Mr Shaiman. This is not what we are looking for to next Harry Potter score"
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IFMCA awards
Jan 18
2008, 04:32:30 AM
NOMINATIONS ANNOUNCED FOR THE 4th ANNUAL INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION AWARDS
January 18, 2008. The International Film Music Critics Association announces their 2007 nominees for excellence in scoring for film and other visual media.
Alexandre Desplat leads the nominations with seven, including two for Best Score of 2007: Ang Lee’s romance drama LUST, CAUTION, and the fantasy adventure THE GOLDEN COMPASS. Dario Marianelli, who recently won the Golden Globe for Best Score for ATONEMENT, is nominated for four awards for the Joe Wright-directed World War II drama. Tied with Marianelli with four nominations is Michael Giacchino, who is up for Best Score for the animated film RATATOUILLE, as well as for his nomination in the newly-formed Best Original Score for a Video Game or Interactive Media category for his MEDAL OF HONOR: AIRBORNE score.
Other composers with multiple nominations include John Debney (2), David Shire (2), newcomer Fernando Velázquez (2), Christopher Young (2) Aaron Zigman (2) and Hans Zimmer (2).
Since the focus of the group is international, many films that received nominations have yet to be released in the United States, including Philippe Rombi’s score for François Ozon’s English language film ANGEL; legendary composer Ennio Morricone’s score for Simona Izzo’s romantic comedy TUTTE LE DONNE DELLA MIA VITA (ALL THE WOMEN IN MY LIFE); Joe Hisaishi’s score for the Korean television series TAE WANG SA SHIN GI (THE STORY OF THE GREAT KING AND THE FOUR GODS), and Jane Antonia Cornish’s score for Danish director Nikolaj Arcel’s DE FORTABTE SJÆLES Ø (ISLAND OF LOST SOULS), for which she received a Breakthrough Composer nomination.
The winners will be announced on Friday, 15 February 2008.
==================================
INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION
2007 Award Nominations
A - SCORE OF THE YEAR
* ATONEMENT, music by Dario Marianelli
* THE GOLDEN COMPASS, music by Alexandre Desplat
* LUST, CAUTION, music by Alexandre Desplat
* RATATOUILLE, music by Michael Giacchino
* ZODIAC, music by David Shire
B - FILM COMPOSER OF THE YEAR
* ALEXANDRE DESPLAT
* MICHAEL GIACCHINO
* JAMES NEWTON HOWARD
* MARK ISHAM
* DARIO MARIANELLI
C – BREAKTHROUGH COMPOSER OF 2007
* JANE ANTONIA CORNISH for De Fortabte Sjæles Ø (Island of Lost Souls)
* ILAN ESHKERI for Stardust
* JONNY GREENWOOD for There Will Be Blood
* FERNANDO VELÁZQUEZ for El Orfanato (The Orphanage)
* CHRISTOPHER WONG for Journey to the Fall
D - BEST ORIGINAL SCORE FOR A DRAMA FILM
* ANGEL, music by Philippe Rombi
* ATONEMENT, music by Dario Marianelli
* EASTERN PROMISES, music by Howard Shore
* THE KITE RUNNER, music by Alberto Iglesias
* LUST, CAUTION, music by Alexandre Desplat
E - BEST ORIGINAL SCORE FOR A COMEDY FILM
* ENCHANTED, music by Alan Menken
* EVAN ALMIGHTY, music by John Debney
* HOT FUZZ, music by David Arnold
* REIGN OVER ME, music by Rolfe Kent
* TUTTE LE DONNE DELLA MIA VITA (ALL THE WOMEN IN MY LIFE), music by Ennio Morricone
F - BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM
* THE BOURNE ULTIMATUM, music by John Powell
* GHOST RIDER, music by Christopher Young
* LIVE FREE OR DIE HARD, music by Marco Beltrami
* PIRATES OF THE CARIBBEAN: AT WORLD’S END, music by Hans Zimmer
* SPIDER-MAN 3, music by Christopher Young
G - BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM
* BRIDGE TO TERABITHIA, music by Aaron Zigman
* THE GOLDEN COMPASS, music by Alexandre Desplat
* MR. MAGORIUM’S WONDER EMPORIUM, music by Alexandre Desplat and Aaron Zigman
* STARDUST, music by Ilan Eshkeri
* SUNSHINE, music by John Murphy and Underworld
H - BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM
* EL ORFANATO (THE ORPHANAGE), music by Fernando Velázquez
* FLOOD, music by Debbie Wiseman
* I KNOW WHO KILLED ME, music by Joel McNeely
* SLEUTH, music by Patrick Doyle
* ZODIAC, music by David Shire
I - BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE
* BEE MOVIE, music by Rupert Gregson-Williams
* BEOWULF, music by Alan Silvestri
* GEDO SENKI (TALES FROM EARTHSEA), music by Tamiya Terajima
* MEET THE ROBINSONS, music by Danny Elfman
* RATATOUILLE, music by Michael Giacchino
J - BEST ORIGINAL SCORE FOR A DOCUMENTARY FEATURE
* DARFUR NOW, music by Graeme Revell
* EARTH, music by George Fenton
* IN THE SHADOW OF THE MOON, music by Philip Sheppard
* LA PLANÈTE BLANCHE, music by Bruno Coulais
* LE PREMIER CRI, music by Armand Amar
K - BEST ORIGINAL SCORE FOR TELEVISION
* BATTLESTAR GALACTICA [SEASON 3], music by Bear McCreary
* DOCTOR WHO [SEASON 3], music by Murray Gold
* LOST [SEASON 3], music by Michael Giacchino
* TAE WANG SA SHIN GI (THE STORY OF THE GREAT KING AND THE FOUR GODS), music by Joe Hisaishi
* TIN MAN, music by Simon Boswell
L - BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
* BIOSHOCK, music by Garry Schyman
* CALL OF DUTY 4: MODERN WARFARE, music by Stephen Barton and Harry Gregson-Williams
* LAIR, music by John Debney
* MEDAL OF HONOR: AIRBORNE, music by Michael Giacchino
* WARHAWK, music by Christopher Lennertz
M - BEST NEW RELEASE/RE-RELEASE/RE-RECORDING OF AN EXISTING SCORE
* ALIEN, music by Jerry Goldsmith - Douglass Fake, Michael Matessino and Nick Redman (producers)
* GODZILLA, music by David Arnold - Ford A. Thaxton and David Arnold (producers)
* THE LORD OF THE RINGS: THE RETURN OF THE KING, music by Howard Shore - Howard Shore, Peter Jackson, Fran Walsh and Paul Broucek (producers)
* THE PRIVATE LIFE OF SHERLOCK HOLMES, music by Miklós Rózsa - James Fitzpatrick (producer)
* THE WIND AND THE LION, music by Jerry Goldsmith - Douglass Fake and Lukas Kendall (producers)
N - BEST FILM MUSIC COMPILATION ALBUM
* AMAZING STORIES: ANTHOLOGY 3, Douglass Fake (producer)
* THE KARATE KID BOX SET, Robert Townson and Bill Conti (producers)
* MAD, MOD & MACABRE: THE RONALD STEIN COLLECTION, Taylor White (producer)
* MIKLÓS RÓZSA: A CENTENARY CELEBRATION, Robert Townson (producer)
* THE UNFORGIVEN: CLASSIC WESTERN SCORES FROM UNITED ARTISTS, Lukas Kendall (producer)
O - FILM MUSIC RECORD LABEL OF THE YEAR
* FILM SCORE MONTHLY, Lukas Kendall
* INTRADA, Douglass Fake
* LA-LA LAND RECORDS, M.V. Gerhard and Matt Verboys
* MOVIESCORE MEDIA, Mikael Carlsson
* VARÈSE SARABANDE, Robert Townson
P – FILM MUSIC COMPOSITION OF THE YEAR
* "Elegy for Dunkirk" from ATONEMENT, music by Dario Marianelli
* "Graysmith Obsessed" from ZODIAC, music by David Shire
* "Last Shift" from LIONS FOR LAMBS, music by Mark Isham
* "Up Is Down" from PIRATES OF THE CARIBBEAN: AT WORLD’S END, music by Hans Zimmer
* "Wong Chia Chi’s Theme" from LUST, CAUTION, music by Alexandre Desplat
==================================
The International Film Music Critics Association (IFMCA) is an association of online, print and radio journalists who specialize in writing about original film and television music. The IFMCA Awards are the only awards given to composers by film music journalists.
The IFMCA was originally formed in the late 1990s as the Film Music Critics Jury by editor and journalist Mikael Carlsson, a contributor to filmmusicradio.com and filmmusicweekly.com, and the owner of the Swedish film music label MovieScore Media. Since its inception, the IFMCA has grown to comprise 43 members from countries as diverse as Australia, Belgium, Canada, Cyprus, Germany, Greece, Italy, Poland, Spain, Sweden, Switzerland, the United Kingdom, and the United States of America. The IFMCA presented its first awards in 2004.
The IFMCA strongly feels that a film score’s strength lies in the combined impact of two important elements: the effectiveness, appropriateness and emotional impact of the score in the context of the film for which it was written; and the technical and intellectual merit of the composition when heard as a standalone listening experience. As such, the membership votes for the best scores of each year with these two criteria in mind, and strives to recognize scores which excel in both these areas. As an international organization, the IFMCA also makes conscious efforts to celebrate the best film music, not just from mainstream Hollywood productions, but world-wide, wherever it may originate.
Previous winners of the IFMCA Score of the Year Award include James Newton Howard’s LADY IN THE WATER in 2006, John Williams’ MEMOIRS OF A GEISHA in 2005 and Michael Giacchino’s THE INCREDIBLES in 2004.
For more information about the International Film Music Critics Association, please visit http://www.filmmusiccritics.org or contact ress@filmmusiccritics.org">press@filmmusiccritics.org
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re: Goldfinger (aka Printmaster) by John Barry and Marc Shaiman
Jan 16
2008, 06:22:12 AM
Hi Marc!
Im sorry if you dont like the post. If you want ill quit it.
I must explain you that:
There is a site where you can buy these tracks online (you know that I have not the cd yet, but ill get asap its available!), and I got this track by this pay site.
http://www.7digital.de/artists/marc-shaiman/the-bucket-list/
and you must understand that I have been loving John Barry´s work for years. I have ALL his cds, so to heard you singing a Barry tune is great for me!! Im delighted!
I love all the Memory Lane tracks, specially Mr Saturday Night, What makes a Family (from Stuart) and Simon Birch!
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Goldfinger (aka Printmaster) by John Barry and Marc Shaiman
Jan 15
2008, 07:44:56 AM
I cant believe! My two all time favourite composers, JOHN BARRY and MARC SHAIMAN, join in this great track from The Bucket list Soundtrack Cd, called "Goldfinger" AKA The Printmaster..
Marc Shaiman sings this funny theme and there are the lyrics, enjoy!
"Printmaster... sound and suits,
alone with the mixing crew
there goes that cue
A music disaster... you'll hear screams (woman screams) and hip hop (scratching sample plays) and bombs galore (
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!WOW!
Jan 10
2008, 06:43:14 AM
dont forget a nomination for Hairspray song!!!
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Critics Choice Award Nomination for Marc and Scott
Dec 14
2007, 05:09:10 AM
Best Song
"COME SO FAR" - "Hairspray"
"Do You Feel Me" - "American Gangster"
"Falling Slowly" - "Once"
"Guaranteed" - "Into the Wild" "That's How You Know" -"Enchanted"
Best Composer
Marco Beltrami - "3:10 to Yuma"
Alexandre Desplat - "Lust, Caution"
Clint Eastwood - "Grace Is Gone"
Jonny Greenwood - "There Will Be Blood"
Dario Marianelli - "Atonement"
Alan Menken - "Enchanted"
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re: Marc Shaiman song on BEE MOVIE
Dec 7
2007, 03:04:14 AM
its a clip from FINDING NEVERLAND and this is a good example of how Marc laughs about himself..
a great clip!
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re: Marc snubbed by Grammys? WTF?
Dec 7
2007, 03:01:41 AM
Marc songs are far better than all of these nominated songs... a shame!!!!
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Marc Shaiman song on BEE MOVIE
Dec 6
2007, 03:08:35 PM
hi friends
dont miss the end credits from BEE MOVIE.. at the very end, there is a song composed my Marc Shaiman with lyrics by Shaiman and Jerry Seinfield.. and sung by Matthew Broderick and Seinfield...
see u!
NP: FAME BECOMES ME
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Martin Short: Fame Becomes me... Shaiman superb work!
Nov 15
2007, 05:08:19 PM
Hi friends
I love this musical and I enjoy the cd tooo much..
Glass half full is perhaps my favourite, as also is Stepbrother to Jesus and more..
The question... living in Spain I was not able to attend to NY to see this show. Is there any chance to see it recorded?
thanks!
[img]
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re: Marc Shaiman: Catch me if you can musical clips on the net
Nov 15
2007, 05:04:48 PM
by the way: there is a new poster for THE BUCKET LIST movie!
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