Profile for chrishuyen

If anything, I wonder if this would allay some of the fears around releasing proshots of shows that are still running.  I understand it's not a direct comparison since the rest of the cast is different and it's been many years since the proshot was filmed, but arguably people who wanted to see Leslie's performance could just watch the proshot for relatively cheap, yet they're still choosing to fork over hundreds of dollars.  And while he's had a fairly successful

I think the preshow in London felt a bit more "vibey" since they had the performers more distributed throughout, and you really felt like you were going into an underground club since you had to walk down some stairs right at the beginning, but the hallways were cramped and it was hard to get to the bathroom and everything (though that did also add to the club vibe I suppose).  I was laughing at the aisle of trash you walk by for Broadway, but I remember us lining up to go in a

RippedMan said: "I agree that her vocal placement while super healthy and it sounds decent but it’s lacking the power that is usually associated with the role. But that also might be the costuming. She isn’t giving regal or anything. I could see why Webber might be miffed because I do think Lloyd’s style isn’t the best for telling a story."

I think that's part of the point.  Lloyd is overlaying the idea of Evita as a pop star and char

Robbie2 said: "chrishuyen said: "Oh interesting, if she's doing Someone Else's Story then they're changing up the show more than I expected, since that was still a Svetlana song for the Actors Fund concert. I wonder if Hannah Cruz will have anything besides I Know Him So Well in that case."

You and I,Endgame"

I wasn't including Endgame since that's not really a feature moment for her, but I can't remember if this

I was enthralled by this production a few weeks ago and resurfaced this thread when I was looking to see if anyone had cataloged the differences in the show over the years (which I still haven't been able to find an extensive list for, so if anyone has that or would like to write it up that would be much appreciated).  But anyways, this was my first encounter with Brigadoon in any way and I loved this production, so I'll detail the changes for anyone that's still interested:<

I think Reddit has more useful information at times, like things about discounts or ways to get tickets, the daily rush report, and now a new weekly understudy thread.  What bothers me is that sometimes it can turn into an echo chamber.  The voting paradigm means that if there's an opinion a lot of people agree with it gets upvoted, and other opinions get downvoted so unless you read through an entire thread, you'd only really see people agreeing with each

I'll be curious what Cromer brings to this.  My main takeaway in Boston was that they needed to really hone in on the writing process (Florence Welch seemed like she was writing songs for a concept album about Gatsby rather than songs that were built to work within scenes) and find more clarity in the characters and the story they were trying to tell (it's a lot of characters to balance in a show, especially with bumping up Myrtle's role).  Perhaps that's something C

I thought the show was good but not great, though I can't necessarily pinpoint anything specifically wrong with it, so it's probably just something that didn't speak to me as much.  I think there are great songs but the semi-presentational format could be hit or miss at different points in the story.  There are a few moments that can be fleshed out a bit, but I thought all the performers were great and they did a good job of weaving in and out of the story between actors

I agree with THDavis, I found Prince F really thought provoking and gave me something to chew on, and my only regret in seeing it was that I didn't go with a friend with whom I could talk it over afterwards.

Drunk Shakespeare is a great show and a lot of fun if you just want to laugh.  It pokes a lot of fun at Romeo and Juliet but also delivers some surprisingly good (considering the premise) performances of excerpts of the actual Shakespeare text.

Separately, I think b