Profile for WiCkEDrOcKS

I am PUMPED for Jasmine, but I wish deBessonet wasn't directing...

(On the whole though, this lineup seems promising on paper!)

I reset my password, was able to log in, and then went to sign back in a bit ago, and it didn't recognize my new password. This is a mess. 

Damn, this new layout is AWFUL. What the...? 

I was JUST thinking about when GLORIA would hit Broadway the other day - I'm so pumped!!

How does this person still even have access to this board?

I feel like I asked that question months ago and still they persist...

Not Broadway, but Faye in SUNSET.

Period.


This thread has some good mentions. 

Kad said: "I really cannot get through this video because of how off-putting and meandering he is (a 12 minute video is an eternity when a black hole of charisma is staring, unblinking, directly into the camera)..."

This.

Painful. Even at 2x speed.

Yes - they're generally on the sides of the first few rows of the balcony (especially in the first row of the balcony, I highly recommend sitting as centralized as you can get), but there are indeed $28 seats available in every row of the balcony level. 

"Mindelle is co-writing a stage musical of the 1998 comedy “There’s Something About Mary” with the film’s co-director and co-writer Peter Farrelly."

FWIW, I also had an extremely poorly behaved audience when I saw the show a few weeks ago. 

These stickers don't do anything. They're a waste and end up stuck to the seats, the floor of the theater, or the sidewalk 70% of the time. It's beyond silly. 

Elphaba2019 said: "
Right now Golden Derby is predicting a Schmigadoon and Cats: The Jellicle Ball win. Caissie Levy seems very likely to winBest Actress with an 83% chance. Joshua Henry seems like a lock for Best Actor with a 93% chance. Does not list predictions for Featured Actress which I was interested in but I am predicting Shoshana will likely take that.

https://www.goldderby.com/theater/2026/2026-tonys-odds-analysis-schmigadoon-liberation/"

Predictions in all categories are HERE.

AC126748 said: "Am I the only person who didn't love McKenzie Kurtz in this? She's crazy talented, and she does what she's asked to do, but it's a pretty weak part. If she was eligible forHeathers, I'd say nominate her and she'd have my vote. But she didn't blow me away here."

Couldn’t agree more.

If the winners were announced today...

Best Musical:
The Lost Boys (Should win)
Schmigadoon! (Would win)

Best Play:
Liberation (Should/would win, but shout out to Little Bear Ridge Road, which I loved)

Best Revival of a Musical:
CATS: The Jellicle Ball (Should/would win)

Best Revival of a Play:
Arthur Miller’s Death of a Salesman (Should

Totally realize sneezing/coughing fits are generally out of the audience members' control.  It was just my 13th reason in this specific scenario LOL.

And yep, TotallyEffed. Tons of rifling through Playbills too. 

quizking101 said: "That is very weird to hear because the night I went in previews, the ushers and their flashlights were stationed like snipers in the boxes ready to pounce. (I was in a box next to one)"

Oh, they were there - just not doing much.  I saw one of them finally get up after the woman next to me messed with her phone and watch (both on full brightness) for at least two minutes, but by time they got to my area, she had put the phone away.

I

If I had been playing Bad Audience Bingo at tonight’s THE FEAR OF 13, I would’ve struck gold. 
 
Cell phones ringing. Cell phones vibrating. Alarms going off. Hearing aid feedback. People talking to each other. People talking to the stage. People on their Apple Watches. People checking their phones. Someone front row center getting up mid show. Late arrivals. Drinks spilling. Candy wrappers. People fanning themselves with their Playbills. Bags unzipping. C

I would love to talk to the people who essentially donated their funds to this production.  Would love to share my banking information with them just in case they want to donate some money to me, too...

https://forum.broadwayworld.com/thread/KENREX

I won’t belabor it: DAMN, what a performance. It’s also a pretty thrilling technical marvel, especially in the intimate Lortel. The sound and lighting designs are as good as it gets. The play, as it stands, tends to lean a bit "surface," but when Holden is bringing so many characters to vivid, tangible life, it feels anything but.

The term gets thrown around so often it’s nearly lost its meaning, but Jack Holden is delivering a&n