Tking0012 said: "Does anyone know who is coming In after Meg? Shouldn’t it have been announced by now since Maya leaves tomorrow?"
They should just pay Maya whatever she wants and have her come back to the end of the run.
With Cheyenne, of course
Profile for Skip23
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OH, MARY Reviews (2026 New)
Maya Rudolph for the win.
Suffered through this show twice with Cole and didn’t laugh once. (Went back because I thought I must be missing something. I wasn’t)
This is not Medea. Or even Madea. But Rudolph made it a crazy, genius Romp. I was giggling constantly through the show. And her audition segment was side-splitting.
Kudos to the rest of the cast too, especially Cheyenne Jackson.
PADDINGTON Broadway transfer announcement on the way?
I do wish they had done something fresh with the Bear Back Story. Every time we have to deal with his story, the show stops.
EVERY BRILLIANT THING Reviews
I saw this last night, too
Was this even a show?
Daniel Radcliffe running around for an hour 15. With very little pay off at the end.
What a rip off - At outrageous prices.
Paddington at the Al Hirschfeld
whatever2 said: "JMH27 said: "Wonder if they would try to cast some “names” in this or if that would drive the already high cost up further?"
they already have all the "name" they need: Paddington"
And that's the problem with the show. The Bear, and his story, stops the show cold everytime he shows up. Why couldn't they create a PADDINGTON show where they assume we already know the
Paddington at the Al Hirschfeld
steven22 said: "Robbie2 said: "Jennifer Simard for Millicent Clyde"
Yes! But I’d also like Victoria Hamilton-Barritt to transfer!"
She was phenomenal. Too bad she can't transfer.
Meryl Streep considering return to Broadway with Martin Short
I DO, I DO ... obviously...
KENREX - (Lucille Lortel Theatre, Off-Broadway)
BoringBoredBoard40 said: "Skip23 said: "
No matter where you sit, it’s still kind of a tameevening
The actor does a good job at bouncing through all the different parts.
But in the end, it’s kind of a meh. As Frank says: “No real muscle.”
"
are you like 70 years old?
playing 30 characters requires muscle"
i’m talking about the sho
KENREX - (Lucille Lortel Theatre, Off-Broadway)
No matter where you sit, it’s still kind of a tame evening
The actor does a good job at bouncing through all the different parts.
But in the end, it’s kind of a meh. As Frank says: “No real muscle.”
DEATH OF A SALESMAN 2026 Previews
It was a workmanly production. Not much spark (except for Metcalf, but her spark belonged in another play).
Lane is fine, I guess, for Willy, but I like a Willy who we believe was once a "force" and who has now deflated. Lane is more like a pushy, reedy, bore who a company would be glad to let go.
Metcalf is playing Mother Courage. All strong, towering effectiveness. But why does she put up with Willy who is constantly beratin
Hiddleston & Atwater Much Ado @ the Winter Garden
Just FYI:
The Winter Garden was the venue for the glorious 1972-73 MUCH ADO starring Sam Waterston and Kathleen Widdoes.
Daniel Fish: KRAMER/FAUCI starring Will Brill & Thomas Jay Ryan
Kad said: "I thought the foam created an incredible stage image- Thomas Jay Ryan as Kramer, stewing in a chair as this ever-growing mountain of foam spreads over the stage and threatens to envelope him. While its meaning is not immediately clear- is it the cases and deaths, is it the "numbers game" discussed at several points, is it a lone voice trying to stop a deluge- there's enough in the transcript that allows you to find some meaning and give it power."
Daniel Fish: KRAMER/FAUCI starring Will Brill & Thomas Jay Ryan
Bubbles and Chickens and Roller Skates, oh my!
The Dinosaurs at PH
Saw it tonight. It was pleasant. It’s basically a recovery session with memory jumps, I don’t want to spoil too much or explain too much. The six actresses were all fine and it’s always a pleasure to see Kathleen Chalfant and Elizabeth Marvel.
HIGH SPIRITS at Encores!
I have to agree with him.
A sub-par-casting bore. The music is trance-inducing and I kept hoping for the ghosts of Charles Kimbrough, Maggie Smith, Angela Lansbury and, well, Tammy Grimes to show up, Snnnnnnnn. That Mary woman barely moves a muscle in her conducting, adding an additional level of snooze to the proceedings. Lenk offers no charisma, Soo talks way too fast, the singing Pasquale sounds eerily like Victor Garber and Andrea Martin is just c
25th Annual Putnam County Spelling Bee Revi(Off-Broadway, New World Stages)
I was wondering the same thing
does anyone know when Jasmine is returning?
25th Annual Putnam County Spelling Bee Revi(Off-Broadway, New World Stages)
Understudies in today for Olive and Logainne
I felt that Emily N. Rudolph nailed tentative, booksmart Olive (can't image Jasmine was better in the role - probably more powerhouse which I don't think would work as well).
Not understudy, but Justin Cooley was phenomenal. A bit more animated than Jesse Ferguson but it worked.
A satisfying production. Boy do I miss Wi
TWO STRANGERS (CARRY A CAKE ACROSS NEW YORK) Previews
Sweet Act 1. Falls apart in Act 2. Too much navel gazing.
THE QUEEN OF VERSAILLES Preview
I mean, what’s the point of this musical? The evils of consumer culture? A musical take on a documentary? A cautionary tale of the fatality of fentanyl? How to wring Broadway gold out of snake piss? I don’t get it.
and it’s so DRY! Minimal emotion or even a heart beat. And if I hear one more “****” to convey Gen z angst I’m gonna plotz. A thoroughly nasty night in the theatre.
 
Niche/offbeat but high quality Sondheim performances - what are your fav?
Meryl Streep in THE FROGS. And Larry Blyden.
George Chakiris and Jane Russell in first national tour of COMPANY.
George Reinholt and Christina Pickles (and Jerry Zaks! and Nikki Flaks!) in Cecilwood Summer Theatre's COMPANY
Sierra Boggess' delectable Charlotte in Barrington's NIGHT MUSIC.
Diane J. Findlay's knockout Stella Deems in Barrington's FOLLIES. (Why didn't she do Hattie?)
Patti's subpar Ros
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