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I hope Nicole’s Tony win encourages her to continue a career in musical theatre. I’d love to see her in a less avant-garde production of something. I hope she doesn’t leave Broadway behind now that she’s got her Tony.

Would it be the Tonys without sound issues?

Well there’s cry number 1! Thanks, Celia! 

“Official bank of the Tonys” is such a silly title

Falsettolands said: "If the replacement murmurs are true...who's like her? Damn few."

Ann Morrison?!

We really should get an all-star cast to do a benefit reading of this thread. 

I’m loving the album. Especially the dialogue and bits of music that didn’t make it on the original album. Of course I wish it was a clearer studio recording, but I’m glad to have this.

Maybe JoJo would come in if she wants to stick with Broadway. How was she in Moulin Rouge?

Kirsten Dunst. She would have been a killer Sally Bowles in the last revival. She’d be great in so many plays too.

I really loved this and think I also prefer it to the original production, although I missed some cast members. That said, Eleanor Worthington Cox was a revelation for me. The definitive Natalie in my eyes. 

I’m very, very satisfied with the Best Actress in a Musical line up. It’s a legendary category this year. I’m sad about Seiber. Was he in Featured or Lead?

Being in the same room as Gavin Creel’s voice when he sang in She Loves Me was a religious experience.

I haven’t seen this production, but I know Joy Woods’ performance is polarizing. That being said, I’ve never heard Louise sung so beautifully. 

The Audra/Jake conversation has been my favorite so far. It seemed relaxed and effortlessly charming and they actually got into some interesting stuff about their respective crafts and experiences. 

And I also clutched my pearls when Clooney said he saw Patti in a matinee of Evita. But maybe he’s just remembering it wrong.

I accidentally bought tickets to a sing-along performance of & Juliet in the West End which ended up being my personal Hell. 

That’s so interesting. I’ve loved the score from the first listen. I think it’s catchy, laugh-out loud-funny, and gives the performers ample opportunity to show off their comedic and vocal gifts. The only numbers that are skips for me are Michelle’s, but I imagine they’d be great too with a more charismatic performer. 

KevinKlawitter said: "

Martin & Meryl inOh, MaryWHEN!?!"

Preferably with him as Mary and her as Lincoln 

Jordan Catalano said: "Talking with someone the other day, I said i would be very interested to see Kerry Butler as Audrey, two decades after she originally played the role. I think (at the time) she wasn’t right for it but I’d be fascinated to see her do it, now."

I've had the same thought. I would love to see her revisit it. And even though her performance and that production were polarizing, I do love that recording and her on it.