Profile for RndmAnswrs4RndmQstns

I passed by the line on my way to rushing Betrayal on Wednesday (8/21) at around 7:40, and there were like four or five people on the line. I imagine Saturdays are similar, if not slightly harder?

When my friend and I rushed a Wednesday show (8/21), we were first and second in line at 7:20 and 7:40 respectively. The third and fourth people came in a pair and arrived at around 7:45. Then the line was quiet until about 8:30, when the fifth and sixth people arrived. The line steadily grew after that. The three tickets we got were all orchestra: two of which were I9 and I11, and the other was I10. It was a fantastic view, as there really isn’t a set to block the way and you’re just close e...

They sold 6 rush and 9 standing room today (Thursday, June 27th). The last person to get standing room arrived at around 12:30pm.

I was thrown for a loop when I recently saw Brian d’Arcy James in the movie Dark Phoenix.

Was third in line on a Wednesday when I got there at 9:55, if anyone is wondering.

I got here at 4:00pm and am fifth in line for SRO. There are around 13 people as of 5:00. This is on a Tuesday, for future reference.

GeorgeandDot said: "When I saw Hadestown recently, at the end of Wait For Me about 10 people in the orchestra got up and started running for the restrooms. They were literally jumping over other patrons to be first in line. As the stampede was halfway up the aisle, they realized the act wasn't over and turned around and started climbing back over the people still in their seats in order to see the end of the act. It was pretty remarkable."That happened when I saw Hadestown too. I guess “Wait ...

wyc said: "Has anyone not gotten a rush ticket and been offered day-of seats? are they regular priced or do they give you a discount?"They offered $99 tickets when they ran out of seats for the evening performance, but I’m not sure if those are discounted or where they are.

Got two tickets for the matinee. There was one seat left for the evening when I got there.

JBroadway said: "Now that they’re selling more rush tickets, I hope the reverse-snowball effect starts coming into play. Hopefully soon people won’t have to get there at 3am, so nobody will do it anymore. As it is,12th person in line at 6am on a two-show day is a slight improvement from before, isn’t it? At least you have a good chance at getting in. "I hope so!To answer the question further up, I think the first couple of people got here at around 3 am. The people three in front of me got he...

12th in line at 6am on Wednesday 4/24

Having not known anything about the play before seeing it, I thought it was easily one of the better things I’ve seen all year. I thought Urie was great in the role, and I would love to see this again when it transfers.

The only box office that’s ever asked me for my ID after winning was Hamilton. Wonder why that is?

Even if someone doesn’t know his signature, it’s one of the easier ones to read (at least the Lin part). It’s not that huge of a leap for a person to connect the Lin in the signature with the Lin on the cover, no?

denali.fire said: "Has anyone else actually seen Noah in the past week or so? " I managed to win the lottery a couple of days ago, actually. Seat M 27.I thought he was pretty good! His voice is great, and “For Forever” choked me up a bit. He doesn’t do nearly as much of the twitching that I saw Ben Platt do during the Tony performance, but he does do some of them. I don’t think it’s a bad thing, just different.My problems lie in the show itself, not with any of the performers; I thought they ...

Something Rotten took out a song and replaced it with Right Hand Man (Reprise). A change for the better, I believe; the original song wasn’t very good.

They give out 20 rush tickets each performance. There are designated rush seats on the extreme orchestra sides (I don’t think they are anywhere else?)

It felt like it was stuck in 2008 with the worst parts of 2016/2017 shoved right in. Oh well. It still somehow managed to bring a lump to my throat (once, near the very end), but for the most part, I was pretty bewildered. They seemed to have made the book worse? I still love the three songs I remembered from the first time around, and I enjoyed the club/EDM song more than I thought I would. The “under 30” crowd around me was eating it up; I could hear active crying all around me at the end. ...

I don’t think people leaving at intermission mistakenly is an enormous problem- not enough to warrant an announcement. But then again, “Mind the Gap” and “Contents May be Hot” are also things...

Seconding The Play That Goes Wrong if you’re only seeing one show, and if your daughter is okay with not seeing a musical. It’ll probably be one of your cheapest options. The Book of Mormon’s also a good choice, if your daughter is older than your son. 16 is plenty old enough for it. Come From Away is just good all around, so that’s another option (and it’s on the shorter side, if you find that as a plus).