Having seen Samantha Brown when it was done at Goodspeed in 2011, I would say there's some truth to that. The show itself just wasn't coming together in any meaningful way. And while some of the music was really good, there was plenty that wasn't memorable, and some songs didn't really seem to serve the show. Perhaps it's a case of needing an actual librettist rather than trying to do it yourself. We'll see with this production.
More globally, it just surprises me how much of a nonstarter their career has been. I guess they've remained in the musical theater consciousness through cabarets and concerts, but they've written a whole lot of shows that just haven't gotten produced. And they've been dwarfed by a lot of composer/lyricist teams who started after them (hi Pasek and Paul). Not that any of this is out of the ordinary, but there was just so much buzz around them when they were starting out, it just has always been really intriguing to be how they never took off in terms of getting their actual shows produced.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body