Profile for walnutoraroach

I liked Girl Interrupted more than Benjamin Button — it has a commercial producer who commissioned it apparently still attached (Barbara Broccoli) so my sense is that it would only transfer without the Public (like Liberation’s commercial transfer from Roundabout) since they’re clearly aiming for a Button transfer. I think Girl, Interrupted is great, but it’s deliberately depressing and discomforting, and its name recognition is a movie most people haven’t seen, King Princess (who I’d never h...

J2 Spotlight Musical Theater Company did this at Theater Row with Janine LaManna a few years ago — a fine production, but, except for "The Grass Is Always Greener," which won Marilyn Cooper the Tony for maybe seven minutes of stage time, the material does not hold up. There are other Kander & Ebb scores worth doing at Encores! (The Rink, Flora the Red Menace, Steel Pier) before they get to Woman of the Year, if the point is to illuminate great music.

Fred Mason said: "Will there be 5 new musical nominees?"No, just 4 — there need to be 9 eligible shows/elements/performers to get 5 nominees. Since play scores (which can run the gamut from Stereophonic to scene change music) are also eligible, that category has well over nine eligible entrants: the change here is that there were only 4 new MUSICAL scores assumed to be eligible (2Strangers, Lost Boys, QOV, and Beaches) and now Schmigadoon will make that 5. Until now, it looked like they would...

The biggest ramifications here are that A) Andrew Durand in leading means Best Actor in a Musical now has nine eligible performances and goes to five slots (which are now pretty close to locks — Henry, Tutty, Uranowitz, Christopher, Evans) and that B) Best Score now has five eligible musicals (plus play scores) which means the nominators can't honor any play's underscoring without dishonoring, so to speak, Beaches or QOV's full score.

If this is not the revival version, there IS no Sally.

Oedipus is probably up for the Adaptation category which is yet to be announced.

Ensemble17591322022 said: "GlindatheGood22 said: "I cannot possibly be old enough for Encores to be doing shows I saw the original production of."This isn’t under Encores. They could do Dead Outlaw for the Gala if they wanted to."Even so, Light in the Piazza was in the regular Encores! season three years ago, and that was just a couple of seasons ahead of In the Heights. We're getting old, y'all...

I’m pretty sure it was two separate categories, much like the Drama Desk continues to do (often with different nominees and winners in each). It’s great in a year like 1983 where ALW won for Cats and Howard Ashman won for lyrics. But there was only a single Tony nomination in 1971 for a new musical that wasn’t one of those three shows (an acting award for Two by Two), so if you look at the eligibility list, those nominations are not surprising. But maybe that result made them realize the same...

Glenda Jackson DID do King Lear at the Old Vic directed by Deborah Warner in 2016, but the Broadway production was completely unrelated (and directed by Sam Gold). I actually saw both and really hated it at the Old Vic and (in the minority, I know) loved the Broadway revival. Specifically, I thought that Jackson was terrifically more moving and persuasive in the Gold production and that, weird as it was, it got out of her way and allowed her to command the stage in a way she hadn't been able ...

MadsonMelo said: "Is she the first female chief theater critic at the NYT?"Sure is!!

Oh, and Don Cheadle's role was previously nominated as Featured in Proof. He's clearly going to be above the title, but, as far as I remember the play, I think Lead is a big stretch (and he has much better chance of getting in for featured). Based on past nominations, I think Joe Turner's Come and Gone may shake out as all Featured roles too. I think Will Harrison's path is narrow but possible: Mark Strong and John Lithgow are both doing extraordinary work in pieces that are not ensemble-focu...

Agree with your locks. I'd imagine Daniel Radcliffe will be extremely likely to get a nod too.For Best Actor, Micah Stock will absolutely be eligible and I'd imagine will have a better chance than Will Harrison (or Alex Winter, who probably doesn't have a shot). James Corden would also be eligible given Alfred Molina's nomination in this category for the same role — I think he's the only nomination that Art can hope for at this point. For Best Actress, Susannah Flood will almost certainly be ...

I do also think this is Lithgow's Tony to lose. I also hope no one else was planning to win for Featured Actress in A Play this season since Aya Cash is truly extraordinary in the role and will certainly be a frontrunner.

Slant Magazine‘Waiting for Godot’ Review: Keanu Reeves and Alex Winter Face the Music in Beckett Revivalhttps://www.slantmagazine.com/theater/waiting-for-godot-review-keanu-reeves-alex-winter/"In Lloyd’s hands, with minimal movement and maximal attention to language, Waiting for Godot becomes all about Beckett’s rhythms, with the meaning of each line secondary to the repeating patterns of words and phrases and actions. This is Beckett as jazz. Or it would be if Lloyd’s stars consistently play...

I can't speak for the Tonys specifically (assume it's the same) but other precursor awards voters and/or nominators have receivedMaybe Happy EndingJohn Proctor is the Villain Good Night, and Good Luck Pirates! The Penzance MusicalEnglishYellow FaceA few musicals sent LPs instead actually.

When the performance categories were gendered pre-pandemic, they were combined Broadway/off-Broadway — splitting the categories in this way allowed OCC to keep the same number of nominated performers and categories. (Which is why acting is split and the others are combined)

Slant Magazinehttps://www.slantmagazine.com/theater/a-streetcar-named-desire-review-paul-mescal/

I do think there's a 3-way situation of votes canceling each other out, but I believe that only benefits MHE. If the tone of MHE isn't winning for a voter, they're choosing between THREE corpse comedies in Dead Outlaw, Mincemeat, and DBH, all of which will have their own fans. Much as I loved Dead Outlaw and look forward to Mincemeat, MHE's critical consensus of "best new musical in years" is going to be hard to beat unless all the anti-MHE voters coalesce around one other option. I don't see...

I’d say the Best Play noms at this moment are English, Hills of California, Oh Mary!, Purpose and then either Stranger Things or Cult of Love (just based on what I’ve heard from out of town). I adore English but I think Oh Mary! could pull out a win if the voters who don’t want to support it fail to rally around one more serious alternatives. Guess Best Actor will be (holy moly) Denzel Washington, Jake Gyllenhaal, Daniel Dae Kim, Robert Downey Jr., and George Clooney?! I hope Tonys finally fo...

Slant Magazine:Here We Are Review: Stephen Sondheim’s Final Master Class Is Small and Funny and Finehttps://www.slantmagazine.com/theater/here-we-are-review-stephen-sondheim/