Bebe Neuwirth in "Chicago," when it was still at Encores. She was finishing "When Velma Takes the Stand" and did a wrong dance step, so she ended the number about two seconds after the button. She glanced up at James Naughton and rushed, "This is my new finish, Billy, how do you like it?" Terrific.
Just reviewed The Radicalization of Rolfe, for nytheatreguide.com. Didn't like it much. (The Times critic did, this morning.) Reviewing Rent Control tomorrow.
The 1960 City Center Finian's Rainbow. Superior sound, more complete, and wonderful Jeannie Carson instead of Ella Logan with her mannerisms and fake burr.
She has interesting vocal tics all over the album. My favorite is "Aaaahhhh.... ladda blag dulie... radda blag dulie... I'll flicker then flare up." She means, "I'll light up like a light, right up like a light." It sure doesn't come out that way.
1776. The score, I think, is dreadful. The book, always praised as one of the best ever, I just don't get. A lot of big words and faux wit. Fans say oh, it's so suspenseful even though you know how it's going to end, I'm not in suspense for a minute.
Nancy Dussault said in some interview or other that she was quite sick recording "Bajour," and begged them to change the date, but they wouldn't. She sounds good, but you do notice some ungainly head voice-chest voice transitions, especially on "Love Is a Chance."
Merman in the Annie Get Your Gun revival, at the National in D.C. I was seven. What I remember most of all is "Old Fashioned Wedding." She and Yarnell kept encoring it, and every time, she did it bigger. The audience couldn't get enough. First show ever was "I Married an Angel" in stock, with Don Ameche, Taina Elg, and Margaret Whiting. A good start.