Henry, Sweet Henry Illya, Darling Follies (the original) Minnie's Boys The Boy from Oz Cry Baby (all right, liked--not loved) Women on the Verge of a Nervous Breakdown
They weren't perfect shows, but I thoroughly enjoyed Women on the Verge of a Nervous Breakdown (what a cast and "Model Behavior" had me in stitches) and Catch Me if You Can.
The Secret Garden (saw it three times) and mamaleh, the original FOLLIES was not panned by the critics, only the NY Times; other critics recognized it for the brilliant show it was (and still can be in the right production)
I can think of tons of shows that I love but critics were *mixed* on (it seems like nearly every Sondheim show when it premiered got decidedly mixed reviews, Night Music, Forum and Sweeney Todd perhaps being the exceptions), but not too many critically hated shows that I loved. I suppose Aspects of Love which is a sentimental favorite, but it did get decent to strong reviews in London I'm pretty sure...
Was The Secret Garden hated by critics? I love the score and saw the tour as a very young teen and LOVED the production--I always assumed it at least got decent reviews.
I suppose I did really love, huge plot faults and all, Tales of the City in San Francisco which definitely got mixed reviews. I have a soft spot for Miss Saigon, I always thought htat got bad New york reviews but better ones in London but could be wrong...
I do love Anyone Can Whistle (yes, even that libretto) and Merrily which I assume both got terrible reviews at the time... I also love the Pet Shop Boys penned Closer to Heaven (even though I think Jonathan Harvey's book is very lacking) which got scathing reviews in the British press but it's hrd to judge because most of the reviews focused on the tacky production, which I never saw, ands made a huge point about gay sex and drugs not being appropriate to West End theatre...
There are also of course scores I think are better than critics give them credit for--for example, Pippin while I think the show's a mess, and for me only really works in the stunning Fosse production, but the original reviews were nearly all incredibly dismissive and even hateful towards the score which, while I hate to stroke Schwartz' ego, I find charming.
I didn't love ON A CLEAR DAY, but I enjoyed it, on balance, found it an overall improvement on the original in notable ways, and certainly didn't think it deserved the evisceration. Updated On: 12/14/11 at 12:06 PM
Jekyll and Hyde The Scarlet Pimpernel Bonnie and Clyde I don't recall if Phantom or Les Miserables got particularly good reviews (I seem to recall not), but those are two shows I really love as well.