Profile for bwayobsessed

Every time vampires are mentioned will probably get you sloshed

Fred Mason said: "Ragtime will probably do the end of act 1, no? They’ve already done the opening on GMA, wheels of a dream and back to before have also been done on morning shows."

Doing numbers on previous shows has never stopped them from performing the same numbers at the Tonys

I think Titanique can and should end with making the audience sing My heart will go on.

I want Two Strangers to do American Express but feel like they’ll do New York/This is the place combo

I really hope Ragtime does New Music

For me this is the rare musical where Act 2 is better than act 1. I think what act 1 needs is for Melissa to fully sing earlier. Sara Chase has such an amazing voice and her act 2 reprise is the best moment in the show. If she got an I want song I think the whole show would work better. 

I really have enjoyed this angle on Sondheims life. My main complaint being it feels a bit over produced (impressions, audio of “parties”, etc) that I think take away from the authenticity of the podcast 

Hot take: I liked it more than Lost Boys

Watching this really reminded me how much I hate the set. It’s so bland and boring. 
 

While there’s a lot to like I think the tone is very uneven. Between goofy camp and drama and I don’t think the balance quite works. 
 

I also think the women playing men feels gimmicky and not quite justified. I get wanting the show to be all women but it just becomes a cartoon whenever a man is onstage 

Kad said: "Scherzinger does not strike me as somebody who would ever do an Encores production."

What about Mandy Gonzalez for Aurora?

Sutton Ross said: "broadfan327 said: "I saw Vosk sing with the New York Pops a year or two ago and she was very good."

She's an incredible singer, and I hope she does many more concerts. She deserved better than this garbage show."

I love her Christmas album 

MysteriousLady said: "I'd like to see Jacob Elordi and Florence Pugh."

Tbh would watch Jacob Elordi anytime 

I was shocked how much I loved it when I saw it at a summer stock a few years back. I went into it really reluctantly 

I saw it last night. I think it’s an enjoyable evening and very well conceived and directed. This was my first exposure to this version but I knew Lippa’s version. I think this story just doesn’t quite land for me. The characters all seem more like agents of chaos than people making choices. That said in this production I found myself following the ensemble in the background more than the leads. 

It’s still too soon but I want to see Significant Other again

I think it’s a shame thy couldn’t get it in this season. With how sparse the season is they could’ve been a front runner for best musical. I really liked it a Papermill and hope they made the right edits to get it to survive the winter

BrodyFosse123 said: "The 1966 Broadway musical MAME features several dated plot elements centered on 1920s–1940s social norms. Key dated aspects include the caricature of the butler Ito, the intense focus on social class and "traditional" upbringing, outdated gender roles, and a rushed romantic subplot involving a Southern gentleman.