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Sam Rockwell, Marin Ireland & Alfred Molina Will Lead A VIEW FROM THE BRIDGE Off-Broadway

Jul 14, 2026 — 6:39:51 PM

In a statement, [Sam] Rockwell said, “Some of my earliest theater memories are of coming to La MaMa as a kid and hanging out backstage while my mom was doing experimental theater of the day. To now return to the Ellen Stewart Theatre with Arthur Miller’s masterpiece with these remarkable collaborators feels like coming full circle. I started my own career downtown, and institutions like La MaMa have always inspired me—as an artist and as an audience member. They’re the lifeblood of our cultur...

DRAMA DESK AWARD NOMINEES 2026

May 2, 2026 — 6:54:26 PM

Maria-Christina Oliveras getting nominated for The Balusters over Marylouise Burke or Margaret Colin is insane.

Creative ways to utilize Circle in the Square?

Aug 6, 2023 — 6:37:04 PM

The current problem with staging shows completely in the round is that high-paying audiences want cool design elements which are difficult, if not impossible, in the round. Our suggestion is to completely gut The Circle in the Square and use it for immersive shows which have become very popular.

The New Group's THE SEAGULL/WOODSTOCK, NY

Feb 19, 2023 — 10:00:36 AM

We saw this last week and really like it A LOT. Loved the adaptation. Loved, loved Parker Posey. It was definitely less than 3 hours, more like 2 1/2. Felt like Act 4 needed work, but overall we really enjoyed it.

What Happened to Article on Playbill re:

Feb 12, 2023 — 5:27:48 PM

In our experience, the bad behavior happens much less frequently Off-Broadway and downtown; is seems to be a Broadway issue, although we could see it happening at a venue like New World Stages, too.

A STRANGE LOOP On Broadway - News & Discussion Thread

Jan 8, 2023 — 9:19:55 PM

I can understand the cast not wanting to do a concert version; it shows neither their performances nor the show in an optimal light. And the performers know that audiences have paid for a full production.

IS THIS A ROOM and DANA H will play Broadway in Rep

Aug 23, 2021 — 12:15:22 PM

Whenever we've wondered why more shows don't run in rep on Broadway to share costs, we were always told that it was due to unions and their costs would make it cost prohibitive. Wonder what changed (apart from obviously vacant houses due to a pandemic)?

Plays that would work particularly well on zoom?

Jul 3, 2020 — 10:12:46 AM

Can you think of any plays that may work particularly well online on a zoom-like platform? Plays with less physicality perhaps? Julie Halston offhandedly said, in a conversation with TheaterMania, that she wouldn't want to see Pinter on Zoom - and that was a playwright whose work I thought could work in that format...Let's inspire some online works!PS: I live the Apple plays written directly FOR zoom, too!

Best Scene Changes

Jun 4, 2020 — 9:51:38 PM

I thought the Act changes in the Roundabout's TIME AND THE CONWAYS were very memorable. Set by Neil Patel.

Best Plays ABOUT Pandemics (Or Smaller Outbreaks)

May 27, 2020 — 11:37:54 PM

One Flea Spare by Naomi Wallace is set in plague-ravaged 17th Century London.Synopsis: A wealthy couple is preparing to flee their home when a mysterious sailor and a young girl appear sneaking into their boarded-up house. Now, quarantined together for 28 days, the only thing these strangers fear more than the Plague is each other.

HEAD OVER HEELS

Jan 30, 2018 — 9:01:36 PM

Didn't this get a pretty bad review in the Times when it was out west? Did they decide to bring it to NY because Isherwood is gone?

TIME AND THE CONWAYS (2017) Previews

Sep 24, 2017 — 5:23:32 PM

Saw TIME AND THE CONWAYS last night and liked it well enough. Thought the performances and accents were all over the place and often seemed amateurish. The set is the star. Act Three becomes an exercise in dramatic irony, as we've already seen how the characters wind up. It's all pretty obvious, but not a complete misfire like some other Roundabout shows.I did have a question about the music played between acts - anyone know what it was? Couldn't find a credit for it.

Caffe Cino and the birth of Off-Off Broadway

Jul 4, 2015 — 5:03:52 PM

With the coming of DAMES AT SEA, I'm researching the beginnings of the Off-Off Broadway movement again. Caffe Cino, where DAMES AT SEA premiered, also gave a start to Marshall Mason, John Guare, Robert Patrick, Jeff Weiss, Sam Shepard, Paul Foster, H.M. Koutoukas, Doric Wilson and many others. There is a great site dedicated to the Cino: HERE. It was before my time, but wondering if anyone here experienced the Caffe Cino first-hand?

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