I also vote for the OBCs of both, although all three recordings of
into the Woods have their points, even the revival recording (though I didn't like the production at all onstage). There area few odd lyric mistakes on the OLCR (and they do seem to be mistakes, not changes, they should have been caught).
Having said that, I'm not wild about any of the recordings of
Into the Woods. I think a really great recording of that score has yet to happen.
The London cast of
1776 has its points. There are some good performances. I'm not sure if it's because the orchestra wasn't expanded for the recording or if a smaller orchestration was used in the theatre, but some very interesting different instrumental colors come through, especially on "Molasses to Rum."
Several of the principals sing better than their counterparts on the OBCR (though the women are vocally weak in comparison with Vestoff and Buckley), but the OBC has more passion. Still, the London recording does make for an interesting listen.
Updated On: 1/26/09 at 03:13 PM