Cast Recordings of Into the Woods and 1776 — Page 2
Posted: 1/26/09 at 7:36pm
Blythe Danner is a poor replacement vocally for Betty Buckley. And even the restored film version of Cool, Cool Considerate Men pales in comparison to the OBC.
The OBC still gets my vote.
Posted: 1/26/09 at 7:52pm
But any CD taken from the DVD would also be missing part of "Piddle, Twiddle," wouldn't it?
And I do prefer the smaller orchestrations on the OBCR.
Updated On: 1/26/09 at 07:52 PM
Posted: 1/26/09 at 9:21pm
Posted: 1/26/09 at 9:36pm
Posted: 1/26/09 at 9:36pm
I agree that Buckley is a better vocalist but I prefer even Danner's version of HPTV to hers. I just think she's too much.
Posted: 1/26/09 at 9:36pm
Updated On: 1/26/09 at 09:36 PM
Posted: 1/26/09 at 9:42pm
I'm obsessed with that one without even hearing the revival.
I know nothing about 1776. Can ANY one give me some advise or information on the show?
Posted: 1/26/09 at 9:51pm
http://1776themusical.us/
Posted: 1/26/09 at 10:04pm
Posted: 1/27/09 at 8:49am
Updated On: 1/27/09 at 08:49 AM
Posted: 1/27/09 at 8:57am
Posted: 1/27/09 at 9:10am
Posted: 1/27/09 at 10:02am
Plus, Ron Holgate is in much better voice in the movie.
Updated On: 1/27/09 at 10:02 AM
Posted: 1/27/09 at 10:05am
The original Broadway production of INTO THE WOODS and the extremely faithful movie adaptation of 1776 make for incredibly enjoyable watching, both, and are both readily available. That way you can save your cast recording buying for a show not on DVD.
Otherwise I agree with several on here that for WOODS OBC and London are both spectacular and worth getting, but to start with one OBC all the way!
Posted: 1/27/09 at 12:03pm
Oh, and one more vote for the OBC for Momma Look Sharp. The OBC is by far the best.
I'll shut up now.
Posted: 1/27/09 at 12:10pm
"I am sorry but it is an unjust world and virtue is only triumphant in theatricle performances" The Mikado
Posted: 1/27/09 at 1:46pm
Updated On: 1/28/09 at 01:46 PM
Posted: 1/27/09 at 1:53pm
Posted: 1/27/09 at 3:23pm
So, despite all the praise for William Daniels (whom I agree is great and hard to duplicate and despite his television roles on St. Elsewhere and Boy Meets World, I still see Adams), he wasn't even nominated for the Tony. The nominees were Joel Grey (George M); Jack Cassidy (Maggie Flynn), Herschel Bernardi (Zorba) and the winner Jerry Orbach (Promises Promises).
1776 was the Best Musical over Promises Promises, Hair and Zorba.
(sarcasm on: Hmm, weren't Promises Promises and Zorba musicalized versions of movies? sarcasm off)
Posted: 1/27/09 at 3:27pm
thanks again
Posted: 1/27/09 at 3:38pm
Didn't William Daniels receive a best FEATURED actor Tony nomination and refuse it because he was most definitely the LEAD of 1776?
Posted: 1/27/09 at 6:19pm
On the topic at hand, although I adore my patched together obc/movie soundtrack recording for Daniels and Da Silva, I prefer the Revival recording whereas the bulk of the other leads sound great (Merwin Foard's Lees of Old Virginia is spectacular), and the recording quality is (obviously) much better
Posted: 1/27/09 at 7:40pm
You're right in what you wrote, except for that. That was the very rule that the committee cited as the reason they nominated Daniels in supporting actor (as the category was known then). Daniels was billed below the title.
The Tony committee had ignored that rule before then, though they'd probably followed it more often.
I can't prove this, but I suspect that the Tony nominating committee thought they were doing Daniels a favor. I suspect they felt that Daniels very likely would lose the Tony to Orbach if he were in competition with him. (Orbach later handily won the Variety Poll of Drama Critics' Award over Daniels.) I think they expected Daniels would have an easy win in supporting (as indeed he probably would have).
I'm among those who prefer Clifford David to Cullum, though what I really wish is that we had David Cryer on a recording.
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