Cast Recordings of Into the Woods and 1776
Posted: 1/26/09 at 12:19pm
Posted: 1/26/09 at 12:23pm
enjoy!
Posted: 1/26/09 at 12:30pm
The London recording is great too.
Posted: 1/26/09 at 12:30pm
I LOVE the Brent Spiner 1776
Posted: 1/26/09 at 12:32pm
Posted: 1/26/09 at 12:35pm
But I don't think you can go wrong with either the OBC or the Brent Spiner 1776.
Posted: 1/26/09 at 12:40pm
The revival recording has a solid cast and a bit more of the score, including the "full bosomed" reprise of "The Lees of Old Virginia" and the very satisfying "Compliments," which resolves the saltpeter-pins argument between John and Abigail Adams. And even though it utilizes a smaller orchestration, the Brian Besterman orchestrations are also characterful.
If forced to choose, I'd probably lean toward the OBCR, mostly because Daniels is so iconic in the role.
Posted: 1/26/09 at 12:47pm
Posted: 1/26/09 at 1:04pm
Posted: 1/26/09 at 1:57pm
Posted: 1/26/09 at 2:00pm
As already discussed, William Daniels is iconic as Adams in 1776 and cannot be beat.
Besides the Vanessa Williams vs Bernadette Peters discussions here, the OBC of Into The Woods has Joanna Gleason in her Tony winning role as the Baker's Wife. Awesome.
Posted: 1/26/09 at 2:18pm
And I'll second the acclaim for the London cast of ITW.
Posted: 1/26/09 at 2:52pm
Though I must admit, I have never heard the London cast of 1776, and would love to.
Posted: 1/26/09 at 3:03pm
Into the Woods- I prefer Bernadette, Chip Zien and Joanna Gleason to Vanessa Williams, Stephen deRosa and Kerry O'Malley. I like the orchestra better on the revival. MY vote would go for the London production.
Posted: 1/26/09 at 3:13pm
Having said that, I'm not wild about any of the recordings of Into the Woods. I think a really great recording of that score has yet to happen.
The London cast of 1776 has its points. There are some good performances. I'm not sure if it's because the orchestra wasn't expanded for the recording or if a smaller orchestration was used in the theatre, but some very interesting different instrumental colors come through, especially on "Molasses to Rum."
Several of the principals sing better than their counterparts on the OBCR (though the women are vocally weak in comparison with Vestoff and Buckley), but the OBC has more passion. Still, the London recording does make for an interesting listen.
Updated On: 1/26/09 at 03:13 PM
Posted: 1/26/09 at 4:07pm
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Posted: 1/26/09 at 4:13pm
Posted: 1/26/09 at 4:13pm
Posted: 1/26/09 at 4:19pm
Get the OBCs. I prefer Gregg Edelman's "Molasses to Rum" and the London cast "He Plays the Violin." I really can't take Betty Buckley's version of the song - it's so harsh. I mean, girlfriend can obviously belt her face off but I just don't like it on that song. Love the woman on the London recording. But you need to have William Daniels as Adams. Spiner drives me up the wall - "It's a MAHHHstahPEYYYCE!"
Posted: 1/26/09 at 4:51pm
Posted: 1/26/09 at 4:54pm
Posted: 1/26/09 at 5:06pm
Daniels had a bad cold the day the cast album was made so he is not in great voice. Howard DaSilva suffered a heart attack and missed the session so his understudy Rex Everhart took over. The film soundtrack (also NOT on CD as yet) has Daniels in better voice and DaSilva, but cuts the essential "Cool Cool Considerate Men." Ideally get a CD transfer of the film soundtrack and add in the missing material from the OBCR.
As for INTO THE WOODS - as with any Sondheim score - always Always ALWAYS start with the original cast, then if you like the show explore the alternates.
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
Posted: 1/26/09 at 5:25pm
The OBC for 1776 is definitely superior to the revival but it lacks the brilliant Howard Da Silva as Benjamin Franklin (Da Silva was recovering from a heart attack and could not participate in the Broadway Cast recording).
The best recording ever of 1776, with one exception, which could be corrected on a CD reissue, is the 1972 film soundtrack which not only has the majority of the Broadway Cast, including William Daniels and Howard Da Silva, but also features superb expanded orchestrations by Eddie Sauter that really enhance the score. The exception is that the soundtrack LP omits the song, “Cool, Cool, Considerate Men”, which was recorded and filmed but cut from the film before its theatrical run; the song was restored to the film for the recent DVD home video release and the missing song is included along with a few other reprises on the briefly available 63 minute CD that I have which came with the Japanese deluxe laserdisc of the restored film. If the soundtrack is finally reissued on CD in the US it would not only be the best but also the most complete recording of 1776.
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