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BROADWAY: The American Musical - Part II — Page 2

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#26

re: BROADWAY: The American Musical - Part II

To make it seem "less offensive," the show THE GAY DIVORCE was renamed THE GAY DIVORCEE for the film version.
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
#27

re: BROADWAY: The American Musical - Part II

It never ceases to amaze me how much sexual chemistry Fred and Ginger had. They just melt into each other.
Word. Word, indeed.
#28

re: BROADWAY: The American Musical - Part II

Al Jolson wanted VERY MUCH to play Porgy in PORGY AND BESS--but the range of the score was beyond his vocal talents.
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
#29

re: BROADWAY: The American Musical - Part II

Opera appealling to the many rather than the cultured few. Get that composers out there?
Word. Word, indeed.
#31

re: BROADWAY: The American Musical - Part II

PORGY AND BESS failed during its first Broadway run in 1935 and was not fully appreciated until its first revival in 1942.
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
#33

re: BROADWAY: The American Musical - Part II

THE CRADLE WILL ROCK was a socialist, protest musical that featured the anti-materialistic song "The Nickel Under Your Foot."
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
#34

re: BROADWAY: The American Musical - Part II

THE CRADLE WILL ROCK film was a movie about the DEVELOPMENT OF THE SHOW, not a film version of the show itself.
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
#36

re: BROADWAY: The American Musical - Part II

"Where or When" (now being played) is a song about deja vu.
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
#37

re: BROADWAY: The American Musical - Part II

Cradle must have been an absolutely incredible theatre experience. Just imagine to be in the audience that night. wow
#39

re: BROADWAY: The American Musical - Part II

June Havoc is Gypsy Rose Lee's (GYPSY) sister--remember Dainty June?.
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
#41

re: BROADWAY: The American Musical - Part II

PAL JOEY (1940) was the FIRST musical to have an "anti-hero" (like Billy in CAROUSEL) as the leading role.
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
#43

re: BROADWAY: The American Musical - Part II

"Bewitched, Bothered, and Bewildered" comes from PAL JOEY.
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
#44

re: BROADWAY: The American Musical - Part II

Lyricst Larry Hart was another "lifetime bachelor."
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
#45

re: BROADWAY: The American Musical - Part II

Irving Berlin sang his own "Oh, How I Hate To Get Up In The Morning" in THIS IS THE ARMY.
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
#46

re: BROADWAY: The American Musical - Part II

The original production of OKLAHOMA! in 1943 was mounted for a TOTAL COST of $83,000.
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
#47

re: BROADWAY: The American Musical - Part II

Oh, man I hope they show the clip of Raitt's soliliquy!!!
And that's totally Harvey doing that voiceover.
Word. Word, indeed.
#48

re: BROADWAY: The American Musical - Part II

...whew! Break! :)
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
#49

re: BROADWAY: The American Musical - Part II

"Easy to Love" was written for the film BORN TO DANCE (1935) and then interpolated into the revival of ANYTHING GOES.
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
#50

re: BROADWAY: The American Musical - Part II

I've used "Stan' Up and Fight" in auditions before. Great song! Carmen Jones is pretty good on the whole.
Word. Word, indeed.

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