The week after, in fact, as it came out on the 18th. I think her reworking of '97 Bonnie & Clyde is one of the most disturbing and brilliant things I've ever heard.
But Johanna from Sweeney Todd is quite creepy too. Megan Mullally reimagined it as the musings of a crazed stalker on her first, impossible to find, album.
Nothing precious, plain to see, don't make a fuss over me. Not loud, not soft, but somewhere inbetween. Say sorry, just let it be the word you mean.