Dame's "Memoirs Of A Geisha" mini review. — Page 4
#77
Posted: 12/8/05 at 12:41pm
Maybe, but don't get me started on Chinese-Japanese relations....
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."
#78
Posted: 12/8/05 at 12:47pm
And what if I qualified that Takeshi Kaneshiro was born to a Japanese father and a Taiwanese mother and happens to be a big star in both countries?
#79
Posted: 12/21/05 at 12:33am
***SPOILERS****
Saw it again tonight. STILL thought it was fantastic. So did the person accompanying me; she's another 20-something who read the book years ago. Yes, we can put ourselves outside of the moviegoing experience long enough to joke about certain parts - my ludicrous camp sensibility causes me to find things funny when no one else does (and I'm really talking about parts that even critics wouldn't cite as funny). My favorite scene is probably the final one, which is just beautifully shot and emotionally arresting, but there are a few others that I love almost as much: The first shots of the okiya (what a grand entrance Gong Li makes as Hatsumomo), the girls running late to school and joining the dance lesson as if they had already been there, Chiyo attempting to maneuver her way across the rooftops to escape the okiya, Korin and Hatsumomo manipulating Chiyo into destroying Mameha's stolen kimono, Chiyo's first meeting with the chairman over sweet rumblecherry, Sayuri's training montage, Sayuri outwitting Hatsumomo at one of the first socials, Pumpkin's outrageous behavior in front of the GIs by the jet...
A pleasure again, all in all. I think my next viewing will either be in late January or on DVD.
Saw it again tonight. STILL thought it was fantastic. So did the person accompanying me; she's another 20-something who read the book years ago. Yes, we can put ourselves outside of the moviegoing experience long enough to joke about certain parts - my ludicrous camp sensibility causes me to find things funny when no one else does (and I'm really talking about parts that even critics wouldn't cite as funny). My favorite scene is probably the final one, which is just beautifully shot and emotionally arresting, but there are a few others that I love almost as much: The first shots of the okiya (what a grand entrance Gong Li makes as Hatsumomo), the girls running late to school and joining the dance lesson as if they had already been there, Chiyo attempting to maneuver her way across the rooftops to escape the okiya, Korin and Hatsumomo manipulating Chiyo into destroying Mameha's stolen kimono, Chiyo's first meeting with the chairman over sweet rumblecherry, Sayuri's training montage, Sayuri outwitting Hatsumomo at one of the first socials, Pumpkin's outrageous behavior in front of the GIs by the jet...
A pleasure again, all in all. I think my next viewing will either be in late January or on DVD.
#80
Posted: 12/26/05 at 3:25pm
The Novelist Likes the Film
Monday, December 26, 2005; Page A38
The criticism of experts in the geisha world, as recounted in Sarah Kaufman's Dec. 15 Style article, "Hollywood's Faulty 'Memoirs'; Experts on Japanese Tradition Are Bedeviled by Film's Details," had little effect on the pride I feel in Rob Marshall's beautiful and moving film based upon my novel "Memoirs of a Geisha."
While I was writing the novel, I struggled to get the details right, but no storyteller or journalist is ever exact enough for an expert. One geisha, for example, was enraged that I'd had my protagonist tie a man's shoes for him, something a geisha apparently would never do.
I don't mean to say that drama should never concern itself with factual accuracy, only that a work of art must be judged by a higher standard.
ARTHUR GOLDEN
Brookline, Mass.
http://www.washingtonpost.com/wp-dyn/content/article/2005/12/25/AR2005122500470.html
Monday, December 26, 2005; Page A38
The criticism of experts in the geisha world, as recounted in Sarah Kaufman's Dec. 15 Style article, "Hollywood's Faulty 'Memoirs'; Experts on Japanese Tradition Are Bedeviled by Film's Details," had little effect on the pride I feel in Rob Marshall's beautiful and moving film based upon my novel "Memoirs of a Geisha."
While I was writing the novel, I struggled to get the details right, but no storyteller or journalist is ever exact enough for an expert. One geisha, for example, was enraged that I'd had my protagonist tie a man's shoes for him, something a geisha apparently would never do.
I don't mean to say that drama should never concern itself with factual accuracy, only that a work of art must be judged by a higher standard.
ARTHUR GOLDEN
Brookline, Mass.
http://www.washingtonpost.com/wp-dyn/content/article/2005/12/25/AR2005122500470.html
"The gods who nurse this universe think little of mortals' cares. They sit in crowds on exclusive clouds and laugh at our love affairs. I might have had a real romance if they'd given me a chance. I loved him, but he didn't love me. I wanted him, but he didn't want me. Then the gods had a spree and indulged in another whim. Now he loves me, but I don't love him." - Cole Porter
#81
Posted: 12/26/05 at 4:21pm
I'm halfway through the film and so far I'm enjoying it. I didn't know whether it was a novel or autobiography until I read this thread and saw that it's fiction. Although it's fiction, I bet it's based on true experiences. SPOILER NEXT
I had no idea Geishas were prostitutes. How naive of me. I had once seen a documentary on tv about how the Geishas were strictly bred and trained. They were hostesses who served and were expected to carry on interesting conversations, but no mention of sex was made. I can't wait to watch the second half tonight. Beautiful film.
I had no idea Geishas were prostitutes. How naive of me. I had once seen a documentary on tv about how the Geishas were strictly bred and trained. They were hostesses who served and were expected to carry on interesting conversations, but no mention of sex was made. I can't wait to watch the second half tonight. Beautiful film.
<-----I'M TOTES ROLLING MY EYES
#82
Posted: 12/26/05 at 7:15pm
Girl,
Don't tell me you are wathing a screener. This film was meant to be seen on a big screen.
Don't tell me you are wathing a screener. This film was meant to be seen on a big screen.
HUSSY POWER!
------ HUSSY POWER!
#83
Posted: 12/26/05 at 7:19pm
Oh, you got that right! But I borrowed it from an academy member. What's even worse is that I'm only watching it on my computer dvd!!!! Well, at least I'm watching from a comfortable bed~
<-----I'M TOTES ROLLING MY EYES
#84
Posted: 12/26/05 at 7:33pm
your ruining it for yourself. I also have the screener. But I wont let anyone borrow it.. as they must see it on the big screen
HUSSY POWER!
------ HUSSY POWER!
#85
Posted: 12/26/05 at 8:14pm
I don't plan on seeing a movie which stars Chinese actresses playing Japanese characters speaking English. I know myself well enough to know in advance that I won't buy it. Once again the Caucasian mentality that all Asians are basically the same, so why shouldn't Chinese stars play Japanese (guess there aren't enough good Japanese actresses for the roles.)
#86
Posted: 12/26/05 at 8:29pm
Well.. thats your loss then. They are all wonderful in it. And you know.. you would like it. Because.. YOU LIKE EVERYTHING!
HUSSY POWER!
------ HUSSY POWER!
#87
Posted: 12/26/05 at 8:35pm
As someone of Chinese ethnicity, I didn't mind it (nor would I mind a Japanese actor playing a Chinese character). I appreciate how some people are finally becoming sensitive to how Asian cultures aren't interchangeable; however, acting is acting, and I've never minded a Russian Jewish performer playing an Irish Roman Catholic, etc.
I had no idea Geishas were prostitutes.
They are not prostitutes (this is made clear when Sayuri turns down the American's advances). Nor are they exactly courtesans. My impression is that they're more like walking works of art, whose purpose is to entertain and be admired by affluent men.
I had no idea Geishas were prostitutes.
They are not prostitutes (this is made clear when Sayuri turns down the American's advances). Nor are they exactly courtesans. My impression is that they're more like walking works of art, whose purpose is to entertain and be admired by affluent men.
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."
#88
Posted: 12/26/05 at 9:25pm
Blue wizard- in the film (SPOILERS AHEAD)
there are pimp-like ex-geishas who are rivals in business. They speak of the geishas pulling in money, and they make deals with each other in "owning" the geishas. In one of the early scenes, the young girl who is the subject of the film witnesses a geisha having sex for money. Was this just incidental?
there are pimp-like ex-geishas who are rivals in business. They speak of the geishas pulling in money, and they make deals with each other in "owning" the geishas. In one of the early scenes, the young girl who is the subject of the film witnesses a geisha having sex for money. Was this just incidental?
<-----I'M TOTES ROLLING MY EYES
#89
Posted: 12/26/05 at 9:33pm
****SPOILERS****
Chiyo catches Hatsumomo having sex. Given Hatsumomo's humiliation, the man's comment about how he's tired of sneaking around and the voiceover that follows the fire, we can assume that Hatsumomo was not prostituting herself out to him. Rather, she felt passion for him but could only express that on the sly.
*****END SPOILERS****
Anyone refusing to see this film due to the casting is only more ignorant and closed-minded than they could ever imagine Rob Marshall to be. Stop trying to be the nationality's defender; clearly the many Japanese people in the film are complicit with this pan-Asian casting. If you weren't interested in the film, you wouldn't be posting in this thread.
Chiyo catches Hatsumomo having sex. Given Hatsumomo's humiliation, the man's comment about how he's tired of sneaking around and the voiceover that follows the fire, we can assume that Hatsumomo was not prostituting herself out to him. Rather, she felt passion for him but could only express that on the sly.
*****END SPOILERS****
Anyone refusing to see this film due to the casting is only more ignorant and closed-minded than they could ever imagine Rob Marshall to be. Stop trying to be the nationality's defender; clearly the many Japanese people in the film are complicit with this pan-Asian casting. If you weren't interested in the film, you wouldn't be posting in this thread.
Updated On: 12/26/05 at 09:33 PM
#90
Posted: 12/26/05 at 9:44pm
there are pimp-like ex-geishas who are rivals in business. They speak of the geishas pulling in money, and they make deals with each other in "owning" the geishas. In one of the early scenes, the young girl who is the subject of the film witnesses a geisha having sex for money. Was this just incidental?
I think it's culturally insensitive to label geishas prostitutes just because they have share a few passing similarities to the Western definition of "prostitute" -- especially since the film explicitly states that geishas are not hookers. Geishas have a much more respected place in Japanese society (unlike Japanese prostitutes), and aren't expected to have sex with their clients.
I don't know which earlier scene you're referring to, but if it's the one with Sayuri and her sister, then yes -- her sister was sold to a brothel, while Sayuri got the "privilege" of living in a geisha house.
I think it's culturally insensitive to label geishas prostitutes just because they have share a few passing similarities to the Western definition of "prostitute" -- especially since the film explicitly states that geishas are not hookers. Geishas have a much more respected place in Japanese society (unlike Japanese prostitutes), and aren't expected to have sex with their clients.
I don't know which earlier scene you're referring to, but if it's the one with Sayuri and her sister, then yes -- her sister was sold to a brothel, while Sayuri got the "privilege" of living in a geisha house.
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."
#91
Posted: 12/26/05 at 9:44pm
Evelyn, I could swear I saw money being thrown at someone after that sexual encounter. In any event, is it true that the geishas were not prostitutes? If you don't mind my asking, what basically were they expected to do, and why were the "pimps" discussing how much money they expected Chiyo to bring in? thanks!
<-----I'M TOTES ROLLING MY EYES
#92
Posted: 12/26/05 at 9:55pm
****SPOILERS****
Hatsumomo threw money at Chiyo so that she could accuse her of stealing. That was her way of deflecting attention from her own indiscretion.
****END SPOILER****
Hatsumomo threw money at Chiyo so that she could accuse her of stealing. That was her way of deflecting attention from her own indiscretion.
****END SPOILER****
#93
Posted: 12/26/05 at 9:57pm
#94
Posted: 12/26/05 at 9:59pm
Thanks, Blue wizard.
Evelyn, that's right, I forgot-yes, she did frame her with that money. thanks.
Evelyn, that's right, I forgot-yes, she did frame her with that money. thanks.
<-----I'M TOTES ROLLING MY EYES
#95
Posted: 12/26/05 at 11:04pm
I just saw it, and it was so visually breathetaking I loved it. I never tear up over love stories, and I defnitely did at the end of this movie, I thought it was exquisitely directed.
On the subject of Chinese actors play Japanese characters, I don't see the issue here. It would be an issue if in all other films casting stayed true to the ethnicity and nationality of the characters, but they don't. Italians play Jews, Jews play Catholics, someone of English decent might play a Swedish girl, a Russian might play someone from Poland.
My aunt told me that in college she once had a foreign exchange student from Japan as a roomate. The girl once said to her, "I like it here, but it's so confusing, you all look alike!" And that is true! Foreign cultures and looks will all look similar to people not accustomed to slight differences of facial structure, skin tone, etc.
Nobody seemed to care that a Welsh woman played a Mexican/Spanish woman. (I just asked a bunch of people and searched the internet to make sure my facts were correct, as I never saw Mask of Zorro...but apparently it takes place in California with people of direct Spanish heritage? Whatever...you get my point.)
On the subject of Chinese actors play Japanese characters, I don't see the issue here. It would be an issue if in all other films casting stayed true to the ethnicity and nationality of the characters, but they don't. Italians play Jews, Jews play Catholics, someone of English decent might play a Swedish girl, a Russian might play someone from Poland.
My aunt told me that in college she once had a foreign exchange student from Japan as a roomate. The girl once said to her, "I like it here, but it's so confusing, you all look alike!" And that is true! Foreign cultures and looks will all look similar to people not accustomed to slight differences of facial structure, skin tone, etc.
Nobody seemed to care that a Welsh woman played a Mexican/Spanish woman. (I just asked a bunch of people and searched the internet to make sure my facts were correct, as I never saw Mask of Zorro...but apparently it takes place in California with people of direct Spanish heritage? Whatever...you get my point.)
--Like an odd exotic creature on display inside a zoo, hearing children asking questions makes me ask some questions too...--
#96
Posted: 12/27/05 at 10:01am
This is probably the most beautiful film of the year (as far as sets, costumes, and cinematography).
Gong Li should be nominated in a star-turn. I can take or leave the other actors.
Gong Li should be nominated in a star-turn. I can take or leave the other actors.
"Fundamentalism means never having to say 'I'm wrong.'"
-- unknown
#97
Posted: 12/27/05 at 10:04am
It is visually stunning, but mostly forgettable. Doesn't hold a candle to the novel.
http://preppylife.tumblr.com/
#98
Posted: 12/28/05 at 12:25am
I didn't find it all that visually impressive (it's certainly less impressive than other high-profile Asian-cast films, like HERO, CROUCHING TIGER and even THE LAST EMPEROR). I was a bit disappointed: there's a "done before" look to MEMOIRS, perhaps due to the fact that most of the movie was filmed on a Hollywood backlot.
Part of the problem, though, is that Marshall doesn't do much with his camera. The production values may be pretty, but he doesn't capture the majesty in motion.
Part of the problem, though, is that Marshall doesn't do much with his camera. The production values may be pretty, but he doesn't capture the majesty in motion.
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."
#99
Posted: 12/29/05 at 2:22pm
I'm seeing this again tonight. Didn't care for it the first time, so maybe that will change.
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