I really loved it. I thought it was wonderfully paced--which has often been a problem in these single-episode installments which try to deliver both a complex and satisfying tale AND some emotional whallop. For my money, 'The Snowmen' was an EPIC success.
I was captivated from the first scene, but I will allow that--as I've been hungering for some fresh Doctor for months now--I was a willing accomplice. But there was a magical moment early on: Clara has met the Doctor, they've traded some banter, and--as he walks away--she calls out to him. He stops and turns and the look on his face is absolutely extraordinary: we read all the complex emotions that are racing through his mind. He KNOWS he has met his next companion and he registers the excitement of a little boy, the suave confidence of a man who knows that the woman he desires is attracted to HIM, but there is also profound sorrow, because he already knows how the story will end--she will age and die and he will not. I know I'm projecting all my emotional involvement with this show and this character, but watch that scene and tell me that I'm wrong--Matt Smith is really brilliant in his handling of that moment.
So much else that was great:
The Doctor looks so great in his Victorian-era garb. And the hat! He's a Victorian Cat in the Hat.
Moffat's incredible ability to give form to childhood's fears--statues, shadows, toys, lost parents and now--**evil** snowmen. Genius.
The industrial-revolution stair to the clouds. Fab!
What is the one word that could bring the Doctor out of his tent? "POND!"
LOVED IT. I'm giddy with excitement for the next ep.
You think, what do you want?
You think, make a decision...