Nominees are announced Tuesday but does anyone have any early nominee predictions? Here are mine (in the major categories):
BEST PICTURE:
-Brokeback Mountain
-Walk the Line
-Goodnight, and Good Luck
-Crash
-Capote
DONT COUNT OUT: Munich, Match Point, A History of Violence, or The Constant Gardener
BEST ACTOR:
-Jaoquin Pheonix, Walk the Line
-Phillip Seymour Hoffman, Capote
-Heath Ledger, Brokeback Mountain
-David Straithan, Good Night and Good Luck
-Russell Crowe, Cinderella Man
DONT COUNT OUT: Terrence Howard for Hustle & Flow, Jeff Daniels for The Squid and the Whale, or Eric Bana for Munich
BEST ACTRESS:
-Reese Witherspoon, Walk the Line
-Felicity Huffman, Transamerica
-Judi Dench, Mrs. Henderson Presents
-Charlize Theron, North Country
-Kiera Knightley, Pride and Prejudice
DONT COUNT OUT: Joan Allen for The Upside of Anger, Gwyneth Paltrow for Proof, or Laura Linney for The Squid and the Whale
BEST SUPPORTING ACTOR:
-William Hurt, A History of Violence
-Paul Giamatti, Cinderella Man
-George Clooney, Syriana
-Jake Gyllenhaal, Brokeback Mountain
-Matt Dillon, Crash
DONT COUNT OUT: Terrence Howard for Crash, Don Cheadle for Crash, or Ed Harris for A History of Violence
BEST SUPPORTING ACTRESS:
-Michelle Williams, Brokeback Mountain
-Amy Adams, Junebug
-Rachel Wiesz, The Constant Gardener
-Maria Bello, A History of Violence
-Catherine Keener, Capote
DONT COUNT OUT: Sandra Bullock for Crash, Thandie Newton for Crash (my choice to win if it was up to me...), Shirley MacClaine for In Her Shoes, or Frances McDormand for North Country
BEST DIRECTOR:
-George Clooney, Goodnight and Good Luck
-Steven Spielberg, Munich
-Ang Lee, Brokeback Mountain
-Woody Allen, Match Point
-Paul Haggis, Crash
DONT COUNT OUT: Peter Jackson for King Kong, Fernando Meirelles for The Constant Gardener, James Mangold for Walk the Line, or David Cronenberg for A History of Violence
BEST ADAPTED SCREENPLAY:
-Brokeback Mountain
-Walk the Line
-Munich
-Capote
-Syriana
DONT COUNT OUT: King Kong, The Constant Gardener, A History of Violence, or Pride and Prejudice
BEST ORIGINAL SCREENPLAY:
-Crash
-Goodnight and Good Luck
-Match Point
-The Squid and the Whale
-Cinderella Man
DONT COUNT OUT: Broken Flowers or The New World
Updated On: 1/29/06 at 01:55 PM
I don't understand why Scarlett J is not in the running this year!!
Your guesses look pretty good to me---who knows how some of the noms will go, but there are always surprises. I'm looking forward to those.
My predictions...
Best Picture
Brokeback Mountain
Capote
Crash
Good Night, and Good Luck
Walk the Line *
*= Might be substituted for Munich.
Best Director
George Clooney
David Cronenberg
Ang Lee
Bennett Miller
Steven Spielberg
Best Actor
Philip Seymour Hoffman
Terrence Howard
Heath Ledger
Joaquin Phoenix
David Strathairn
Best Actress
Joan Allen (I have a feeling that the AMPAS won't be stupid this year)
Judi Dench
Felicity Huffman
Charlize Theron
Reese Witherspoon
Best Supporting Actor
George Clooney
Matt Dillon
Paul Giamatti
Jake Gyllenhaal
William Hurt
Best Supporting Actress
Amy Adams
Maria Bello
Catherine Keener
Rachel Weisz
Michelle Williams
I don't understand why Scarlett J is not in the running this year!!
I usually love her, but I really did not like her performance in that film.
Updated On: 1/29/06 at 02:07 PM
In my mind, best original screenplay is the tightest race. It's nice to have so much good stuff this year.
Her performance in Match Point is incredible, especially given the dialogue she was given to work with.
I found Scarlett to be very good in Match Point. Not nearly as good as she was in Lost in Translation (which deserved at least an Oscar nomination), but good nonetheless.
Best Original Screenplay
Woody Allen, Match Point
Noah Baumbach, The Squid and the Whale
George Clooney & Grant Heslov, Good Night and Good Luck
Paul Haggis & Robert Moresco, Crash
Cliff Hollingsworth & Akiva Goldsman, Cinderella Man
Best Adapted Screenplay
Jeffrey Caine, The Constant Gardener
Dan Futterman, Capote
Stephen Gaghan, Syriana
Larry McMurtry & Diana Ossana, Brokeback Mountain
Josh Olson, A History of Violence
Woody Allen better not have a nomination wasted on that joke of a screenplay.
Woody Allen better not have a nomination wasted on that joke of a screenplay.
My thoughts, exactly. That also goes for several other screenplays in consideration.
heh, you put that Heath Ledger was in Capote...
Don't forget Viggo Mortenson in A History of Violence, either.
Updated On: 1/29/06 at 02:34 PM
Well, I think they already have been. Which in Bello's case is a shame.
"My thoughts, exactly. That also goes for several other screenplays in consideration."
Which are the several screenplays that are jokes?
Exactly. thank you.
I share broadway86's exact thoughts on Best Picture. Four are pretty locked: BROKEBACK MOUNTAIN, CAPOTE, CRASH and GOODNIGHT AND GOOD LUCK.
One would assume WALK THE LINE is also a lock; however, with the way ballots are counted (it's complicated, but the gist of it is that the higher up on the ballot you are, the better), I'd say MUNICH could conceivably replace it. I don't think very many people would put WTL at the top of their ballot, while MUNICH seems to have a small but enthusiastic following.
I'd still bet on WALK THE LINE, though.
True, but I think WALK THE LINE's Best Picture win at the Golden Globes just sealed quite a few nominations for the Oscars including Best Picture. I think WALK THE LINE has a surprisingly strong push behind it to do well on Oscar night. I think some people will be surprised.
Except (and this is MY opinion, of course), Walk the Line isn't a great film. It just has great performances.
However, they have nominated so so films before.
I do think that WALK THE LINE will nab that nomination, but I don't know if the Globes win was that big a push. People had known for weeks that it was going to win Best Musical or Comedy. Look at its competition: THE PRODUCERS (critical and financial bomb), THE SQUID AND THE WHALE (not enough hype), MRS. HENDERSON PRESENTS (British film with not enough hype) and PRIDE & PREJUDICE (its only competition, and even that is a stretch). If WALK THE LINE was considered under Best Drama as it really should have been, I think it would have struggled for a nomination.
Still, it's one of the box office successes this year, while MUNICH is turning out to be a disappointment.
By Tuesday, we'll have been through all the SAGS, too. So there's widespread feeling that more than other recent year, a climate of "awards fatigue" has hovered over the most touted film. The Oscars are being moved back, slightly, after being moved forward (late March to Feb, now March 5), because of the Olympics, and industry wags are saying people are already having a bit of BROKEBACK-itis, to a point. It was probably more exciting to root for when it was controversial. As it moves toward 50 million, it's already a success story.
The problem is, there isn't another runner-up film that has any consensus, the way VIOLENCE, say, popped up on some of the more esoteric critics' lists (Village Voice, for one). The GOOD NIGHT crowd and the MUNICH bunch together probably equal the BROKEBACK voters. CAPOTE followers are legion and vocal, but it's just not a Best Picture film (my feeling: because it still plays as sidebar commentary on a real work of art, IN COLD BLOOD, rather than being first tier art itself. And that's not to take anything away from its considerable achievements.)
I just wonder if all the cheering for BROKEBACK will seem been-there,done-that by March 5, so that its win in the big 3 (director, screenplay, picture) may be the only ones its carries. Just a rumination for end of January.
Ever hear of this group? Some odd choices (though Jerby will ove at least one:)
January 29, 2006
International Cinephile Society Names Winners
The ICS names their picks for 2005
BEST PICTURE
• Brokeback Mountain
runner-up: 2046
TOP 10 FILMS OF THE YEAR
01. Brokeback Mountain
02. 2046
03. A History of Violence
04. The New World
05. Good Night, and Good Luck.
06. Capote
07. Junebug
08. The Constant Gardener
09. Downfall
10. Munich
BEST DIRECTOR
• David Cronenberg - A History of Violence
runner-up: Ang Lee - Brokeback Mountain
BEST ACTOR
• Heath Ledger - Brokeback Mountain
runner-up: Bruno Ganz - Downfall
BEST ACTRESS
• Naomi Watts - King Kong
runner-up: Emmanuelle Devos - Kings and Queen
BEST SUPPORTING ACTOR
• Jake Gyllenhaal - Brokeback Mountain
runner-up: William Hurt - A History of Violence
BEST SUPPORTING ACTRESS
• Amy Adams - Junebug
runner-up: Ziyi Zhang - 2046
BEST ORIGINAL SCREENPLAY
• Junebug - Angus MacLachlan
runner-up: Good Night, and Good Luck. - George Clooney & Grant Heslov
BEST ADAPTED SCREENPLAY
• Brokeback Mountain - Larry McMurtry & Diana Ossana
runners-up: Capote - Dan Futterman & Josh Olson - A History of Violence
Brokeback is going to win the Oscar---based strictly on Oscar statistics, etc. An upset would be shocking at this point.
There is one pundit via oscarwatch.com who is trying hard not to think that Crash might just pop out of nowhere. I doubt this, though that would make me very happy. It was my number 2 film behind Good Night, and Good Luck. So, once Tuesday rolls around, the game can really begin.
But, just when I think there will be lots of shocking wins at the Oscars, it ends up being a predictable night. So, I'm gonna assume this will be a predictable year, hopes that they might shock us with a Shakespeare in Love or Marcia Gay Harden, the latter being one of my favorite and most deserving upsets in recent years.
Except (and this is MY opinion, of course), Walk the Line isn't a great film. It just has great performances.
Agreed.
Which are the several screenplays that are jokes?
It's not that they are jokes. It's just that I didn't care for the screenplays of Cinderella Man, Crash, and Good Night, and Good Luck.
When are final ballots due? I don't think there's enough time for a real contender to emerge. CRASH wasn't even nominated at the Globes; there has only been one Oscar winner that was not nominated for the GG, and that was THE FLY back in 1973. There were special circumstances as to why that occurred.
Biography movies just aren't that great in general. I'm sure that the actors get props for their performance pertraying a very influential and famous person, but the stories themselves are weak. They are not original and tend to exagerate what events really happened back in the time of these legends.
I loved Walk the Line. I thought it was a great movie with great performances. I loved the direction, the story, the music, the acting, the writing...everything.
And I also loved the screenplay for Crash. I think it's the most affecting and powerful screenplay in at least 5 years.
Biography movies just aren't that great in general.
I agree, but I don't think that's the case with Capote.
IF WILLIAM HURT IS NOT NOMINATED I AM GOING TO BE SOOOO PISSED/DISSAPOINTED!!
Videos