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The Official Adam Pascal Love Thread, part 14, version 2.0 — Page 125

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#3101

re: The Official Adam Pascal Love Thread, part 14 v. 2

It is getting a little old, even though I admit that I do find it funny.(That may just be in spite of the events behind the page's creation.) Maybe even more funny is that Adam felt the need to blog about it when about 75% of people hadn't noticed it.

People do realize that they're arguing over this, right?
re: The Official Adam Pascal Love Thread, part 14 v. 2
My first thoughts after seeing these pictures had nothing to do with his bedroom skills.
#3103

re: The Official Adam Pascal Love Thread, part 14 v. 2

Stalin posted? That is awesome. Sadly, 99% of the people posting on his website won't get it. They're too busy squealing over the "WEEEEEE!" Ugh. Seriously, Adam can be really funny, but these people fangirling the stupidest sh*t is just obnoxious. No wonder he's giving up. These people don't care how pathetic and underachieving he becomes, they'll kiss his ass regardless. I don't understand how that's remotely supportive.
Like a firework unexploded
Wanting life but never knowing how
#3104

re: The Official Adam Pascal Love Thread, part 14 v. 2

Wow, Adam is getting attention from such impressive people. This really IS a great website if it can lure someone from the grave.
A work of art is an invitation to love.
#3105

re: The Official Adam Pascal Love Thread, part 14 v. 2

This is going downhill. Not nice....They should really take the guest book off the main page (at least), or totally get rid of it.


"I'm sort of like a child genius without being a child or a genius."~Tim Rice-Oxley
#3107

re: The Official Adam Pascal Love Thread, part 14 v. 2

It may not be rocket science, but I bet Ilana doesn't know how to do it. She's displayed the same level of internet competency that I had at 13. But really, it's not a bad tactic -- when she's stuck cleaning up all the joking posts on his guest book, she'll realize what a mistake it is. Even on a magical website!

A work of art is an invitation to love.
#3110

re: The Official Adam Pascal Love Thread, part 14 v. 2

Ok, I don't want to start any more controversy than there already is, but I have a question for you die-hard AP fans. I've been lurking here, enjoying all your comments for the past couple of months. I am relatively new to the AP obsession. I was a fan of Rent, but didn't get to see it on Broadway until 1998 when the OBC was gone. However, I've always loved the soundtrack, got to see Adam and Anthony twice during the return, and have tickets to Mamaroneck in January.

Obviously you guys have strong feelings about the state of Adam's career. (And I certainly understand and agree with all the recent website crap). It breaks my heart that someone so obviously talented isn't a huge star, outside of Broadway fans and the teen fangirls. You've been following him for far longer than I have. What's the deal? Is it Hollywood/Broadway, Adam, what? I know many of you have commented on his lack of serious representation. Just wanted to tap into your collective wisdom.

Thanks. Go back to previously scheduled snarking.
#3112

re: The Official Adam Pascal Love Thread, part 14 v. 2

Hi Milla! Don't feel obligated to stay quiet just because you're new. What is your question, exactly? I don't think any of us know exactly what his plans for the future are better than you, unfortunately. I do agree that the apparent lack of direction is really disheartening to fans, though.

I imagine the lack of serious and professional representation doesn't help, especially with his own solo music career, but ultimately, it comes down to him.
#3113

re: The Official Adam Pascal Love Thread, part 14 v. 2

Sorry, I'm braindead after a long week at the end of the semester so clearly I'm not being articulate.

I'm curious about the path his career has taken the last decade and why you think he's never really broken through beyond the Rent/Aida success.
#3114

re: The Official Adam Pascal Love Thread, part 14 v. 2

Aw, I completely sympathize.

Hm. In terms of "making it" outside the realm of theater and being known outside this community, I think it's a lot of things. By the time he really took measures to break into film, he was what, almost 35? That's certainly not old and he certainly doesn't look his age, but in an industry where stars are made in their early 20s in a lot of cases, I'd imagine it's very tough to break in when you're past that. Frankly, I don't have a lot of respect for the Hollywood film acting craft -- and I have nowhere NEAR the respect for the majority of the legit famous American contemporary film actors that I do the people whose work I support on stage. The thing is that, to me, the film industry sort of has this go-to pool of decent-enough actors within any given age bracket. And so, I guess I look at it that if that set is already established, yeah, you can make independent films and whatever, it's really hard to get your foot in the door and GO anywhere. If there are so many attractive men who play Adam's age who are already super, super famous, the industry is going to go with them -- not take a chance on a newbie.

I mean, if that's even valid, it's surely only part of it. We don't know how well he auditions, or anything like that. And as good as his acting has gotten, he's still best when he's singing, which I think is a quality that is going to get more people interested in getting him to do theater work than film work. Not that the quality of acting is Hollywood's top concern anyway, but that's another story.

And as far as why he hasn't done more on Broadway, he said something recently about how if you want to originate a part, you very often have to go through the workshop process with a show -- which is a very long process that is often years and years long. So, now that he's moved his family out to California, that's harder for him to do, and he's not about to move them all the way back. Something like the return to Rent was feasible because it was an already-running show, and he could just come in and do it; it didn't require moving his family back, and it wasn't a huge long-term commitment to being on the East Coast.
A work of art is an invitation to love.
#3115

re: The Official Adam Pascal Love Thread, part 14 v. 2

Hi, Milla. re: The Official Adam Pascal Love Thread, part 14 v. 2

Honestly? I don't even know why he's not successful. I'd guess that his age now has something to do with breaking into a difficult industry. Back then? He probably was pigeon-holed into that rocker role, and his acting wasn't the best. His own attitude towards acting probably contributed to it too. I do think that if he was on a major label that he'd have more fans, but as for why he was never signed? No idea. For one thing, I think there's something special about being a part of a small fandom (God, I hate that word!), but it's true.
#3116

re: The Official Adam Pascal Love Thread, part 14 v. 2

I understand the feeling.

I suppose no one really knows for sure, but my guess is that he hasn't been successful in the realm of music because he's been signed to a label that doesn't really promote outside of the Broadway community and isn't going to campaign to get anything played on the radio. I believe he signed to the label in the first place because he claimed he was pigeonholed by major labels as a Broadway singer (no idea whether that's actually true) and for artistic freedom, although I wouldn't doubt for a second he'd jump at the chance to be on a major label if he was given the opportunity. I suppose the actual quality of the music is usually a factor as well, but while I don't find his solo music absolutely amazing, it's better than a lot of what gets played on the radio these days (what a backhanded compliment, right?).

I imagine he wasn't able to break into film ten years ago because he was a very green actor (and the usual hard luck most pursuing film work face), and he's probably having difficulty now due to the ridiculous chances you have against you whenever you pursue film work, and he's older than the average person trying to do the Hollywood thing as well. I suppose the fact that he's not a Pacino or De Niro doesn't help, but again, I really doubt talent's impact on the chances of getting discovered. Of course it helps, but I'd say the acting caliber of most A-list stars is nothing to write home about.

At this point in his career, I think most people on this thread really wish he'd just come back to New York and do the Broadway thing. Isn't it better to be a Broadway star than get the occasional indie movie part?

Updated On: 11/29/07 at 11:28 PM

#3117

re: The Official Adam Pascal Love Thread, part 14 v. 2

I'm sure everyone will have a different answer, but I think there are a few factors. First of all, after Rent he resisted doing more musical theater for a while, thinking he could get a record deal. He now says he hadn't really found his voice as a writer then, and wasn't ready for it, which I think is true, but it was very frustrating for him at the time. He had to be persuaded to do Aida. I think he stayed there for so long partly for the paycheck and partly because nothing else came up. Getting signed to Sh-K-Boom was great luck for him, in my opinion, because it's done well as a company and allowed him a lot of artistic freedom. Of course it's limitations are its relatively small resources and visibility.

He has always had mixed feelings about acting, though he's embraced it more and more, and become much better at it than he was when he started out. I gather that he doesn't do well at auditions, though, which is probably quite a handicap. It's hard enough for those who are committed 1000% to acting to get work, so in a way you could say that Adam has done pretty well for someone who has been somewhat halfhearted about it. His active pursuit of Cabaret shows what he can do when he's really determined.

My own personal preference is for him to continue to work in all areas. I love seeing him in musical theater especially, and love his own music.

Updated On: 11/29/07 at 11:33 PM

#3118

re: The Official Adam Pascal Love Thread, part 14 v. 2

I agree with your last part, Lexi.

I feel like on the stage is where he shines the most. Don't get me wrong, I'd love to see him in movies, but he has a stage presence that's just magnetic. Unfortunately, it sounds like they're trying to steer him away from theater and focus on his solo career for a while. I do like a lot of the new music, but I find myself wondering if I'd feel the same way about it if it weren't Adam. I don't know how marketable the ME AND LARRY songs are to people who aren't familiar with his other two albums or know what he can do.
#3119

re: The Official Adam Pascal Love Thread, part 14 v. 2

Thanks for the input. What you're saying makes sense. I've been listening to a lot of Model Prisoner, Civilian, and youtube clips recently. Although I like much of his solo stuff, he only seems to really shine on other people's material: stuff like "Glory," "Pity the Child," "What I did for love," "Bat out of Hell." On those songs he's incomparable, on his own stuff, average singer/songwriter. Maybe he could have a profitable career as a high-brow cover artist re: The Official Adam Pascal Love Thread, part 14 v. 2

Meanwhile people like Kim Kardashian are raking in the attention and money. Not fair!
#3120

re: The Official Adam Pascal Love Thread, part 14 v. 2

Oh well, celebrity is inherently unfair, and frankly, he doesn't strike me as the red carpet type. I think we've all left one thing out of the equation, which is his piquant personality. As skittles said earlier, he can be really funny. He's found a great balance between brashness and self-deprecation.
#3121

re: The Official Adam Pascal Love Thread, part 14 v. 2

Getting signed to Sh-K-Boom was great luck for him

I think that really depends on what he considers lucky and what he'd ultimately want, if it came down to a choice between Sh-K-Boom and a high-profile label. As I've said before, I personally wouldn't doubt for a second that he'd sign to a highly-visible label if he had the opportunity. I'm sure artistic freedom is nice, but I'd imagine having a profitable solo career might prove nicer in his eyes. re: The Official Adam Pascal Love Thread, part 14 v. 2 Of course no one here really knows. I think it's great luck in the sense that he's been able to do his own solo thing to some extent through their label, certainly.

I don't know how marketable the ME AND LARRY songs are to people who aren't familiar with his other two albums or know what he can do.

From what I've heard, I don't think the songs are especially marketable (or that title... or Larry's face...), but even more importantly, his record label doesn't have the tools to make them marketable even if they would make catchy singles. I think there's something to be said for a good hook, and something even more to be said by marketing. Anything is marketable if you have a great, high-profile marketing team.

Updated On: 11/29/07 at 11:51 PM

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