#551
Posted: 9/10/06 at 6:53pm
Here's something I came across just now. Maybe this was in that Chbosky script that was posted online, but I don't feel like looking it up right now - anyway, there was some interim version in which Another Day was used for flashbacks rather than Glory. This is how the poster described the scene:
"You better go you know the fire's out anwyay" Tompkins Square Park. Roger sees a dealer over April's shoulder.
"I should tell you. I should tell you" Roger shooting up with his band.
"We'd do another dance" Roger and April making love.
"There is no future. There is no past." Mimi arguing with her father. Her father, beligerantly drunk, slaps her. Hard. She cries.
"Or life is yours to miss. No other road." Mimi leaves home with her suitcase.
"Take your needle. Take your fancy prayer." Roger is *beep* up on heroin with April begging him to stop. Crying. He ignores her.
"Never ever gonna start." Roger finds April in the bathroom.
"Only tonight. We must let go." Mimi walking around the East Village. Lost. She gets pulled into an alleyway by a man in the shadows.
"No other course. No other way." Mimi cries as the man pins her against a wall and rapes her.
The song continues in the apartment, both screaming at each other. Letting their "baggage" fly. The best part is they share the same frame, making the song intense. To quote the screenplay "the same fears. The same desires." The only flashes from here on out are quick cuts to the support group on "I can't control" "I trust my soul" and a "No day but today."
Considerably more hardcore than the version we ended up with, maybe too much so, but it might have been quite effective.
"You better go you know the fire's out anwyay" Tompkins Square Park. Roger sees a dealer over April's shoulder.
"I should tell you. I should tell you" Roger shooting up with his band.
"We'd do another dance" Roger and April making love.
"There is no future. There is no past." Mimi arguing with her father. Her father, beligerantly drunk, slaps her. Hard. She cries.
"Or life is yours to miss. No other road." Mimi leaves home with her suitcase.
"Take your needle. Take your fancy prayer." Roger is *beep* up on heroin with April begging him to stop. Crying. He ignores her.
"Never ever gonna start." Roger finds April in the bathroom.
"Only tonight. We must let go." Mimi walking around the East Village. Lost. She gets pulled into an alleyway by a man in the shadows.
"No other course. No other way." Mimi cries as the man pins her against a wall and rapes her.
The song continues in the apartment, both screaming at each other. Letting their "baggage" fly. The best part is they share the same frame, making the song intense. To quote the screenplay "the same fears. The same desires." The only flashes from here on out are quick cuts to the support group on "I can't control" "I trust my soul" and a "No day but today."
Considerably more hardcore than the version we ended up with, maybe too much so, but it might have been quite effective.