Classical is a whole world unto itself, to just try and pick only one piece...
I'm partial to a wide range. Here's a brief sample.
Adams' Two Fanfares: Short Ride in a Fast Machine and Tromba Lontana
Beethoven's 6th and 9th Symphonies
Elgar's Enigma Variation: Nimrod
Gershwin's Rhapsody in Blue
Mozart's Clarinet Concerto in A
Muhly's The Only Tune
Nyman's In Re Don Giovanni
Pärt's Spiegel im Spiegel
Reich's Music for 18 Musicians
Rodrígo's Concierto de Aranjuez
Smetana's Má vlast: Vltava
Vaughan Williams' A Lark Ascending
And I still feel I've only scratched the surface of classical music, with entire eras and composers I've yet to even listen to ahead of me.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
Updated On: 7/24/14 at 07:51 PM