A DELICATE BALANCE
THE COUNTRY HOUSE
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME
THE ELEPHANT MAN
THE REAL THING
THE RIVER
THIS IS OUR YOUTH
YOU CAN'T TAKE IT WITH YOU
and possibly a Broadway engagement of DISGRACED? Is that still in the works at this point?
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.