'9 To 5' On Its Way To Making A Living — Page 2
#27
Posted: 4/24/09 at 8:13pm
Um sort off.
The scene begins half way through, the xerox machine already out of control. As Judy tries to stop it, Hart walks in and snaps at her. Allison (aka Violet) then butts in, defending Judy, who is then warned by Hart that this may be her last day. Hart leaves, giving the douche bag who gets Violet's promotion a high-five on his way out. Steph is about to burst into tears but is told to not show emotion by Violet. Violet leaves and Steph begins the new song as she tidies up the papers that are all over the floor. The scene the segues to Violet's garage where she is fixing the door opener and Josh is skating around. The spliff scene follows as before, and the staging of the rest of the song is identical to "The One I Love", they're just singing a different song.
The scene begins half way through, the xerox machine already out of control. As Judy tries to stop it, Hart walks in and snaps at her. Allison (aka Violet) then butts in, defending Judy, who is then warned by Hart that this may be her last day. Hart leaves, giving the douche bag who gets Violet's promotion a high-five on his way out. Steph is about to burst into tears but is told to not show emotion by Violet. Violet leaves and Steph begins the new song as she tidies up the papers that are all over the floor. The scene the segues to Violet's garage where she is fixing the door opener and Josh is skating around. The spliff scene follows as before, and the staging of the rest of the song is identical to "The One I Love", they're just singing a different song.
#28
Posted: 4/24/09 at 8:17pm
You've seen it too many times now.
#29
Posted: 4/24/09 at 8:19pm
Only twice ... I also may or may not have had the help of a certain audio that I may or may not have sent you :)
#31
Posted: 4/24/09 at 8:48pm
"This show can only be summed up in one word: divine"
Can you tell me what exactly is divine about it, Oz? I have one more show I could possibly fit into my trip to New York in 2 weeks and, even though I'm a BIG fan of Alison Janney, I'm finding it very hard to summon up enthusiasm to see this (the songs I've heard sound dreadful to me!). Maybe you could convince me otherwise.
Can you tell me what exactly is divine about it, Oz? I have one more show I could possibly fit into my trip to New York in 2 weeks and, even though I'm a BIG fan of Alison Janney, I'm finding it very hard to summon up enthusiasm to see this (the songs I've heard sound dreadful to me!). Maybe you could convince me otherwise.
THEATRE 2020: CURTAINS**** LET'S HEAR IT FOR THE GIRLS***** WICKED***** KEITH RAMSAY TAKING NOTES WITH EDWARD SECKERSON***** KAYLEIGH MCKNIGHT CONCERT***** RAGS***** ON MCQUILLAN'S HILL** DEAR EVAN HANSEN***** THE JURY***
#33
Posted: 4/24/09 at 8:53pm
lol!
I want to see a show or play! I keep reading all this great buzz about 9 to 5 but no one seems to say WHY it is great. I'm just afraid of spending a hundred bucks and maybe ending up sitting there ready to scream if I hate the score (as I did when I saw Hairspray). At least Dolly is not in it - I could definitely not stand listening to her whining for 2 and a half hours.lol
I want to see a show or play! I keep reading all this great buzz about 9 to 5 but no one seems to say WHY it is great. I'm just afraid of spending a hundred bucks and maybe ending up sitting there ready to scream if I hate the score (as I did when I saw Hairspray). At least Dolly is not in it - I could definitely not stand listening to her whining for 2 and a half hours.lol
THEATRE 2020: CURTAINS**** LET'S HEAR IT FOR THE GIRLS***** WICKED***** KEITH RAMSAY TAKING NOTES WITH EDWARD SECKERSON***** KAYLEIGH MCKNIGHT CONCERT***** RAGS***** ON MCQUILLAN'S HILL** DEAR EVAN HANSEN***** THE JURY***
#34
Posted: 4/24/09 at 9:14pm
It is one of those shows that one cannot go and see and leave feeling miserable or downtrodden. Yet again, I think the same about Hairspray (which I can see you hated)
Throughout the course of the evening one sees three women transform themselves from somewhat pushovers into strong independent women, something I'm witnessing at the moment with my mum (recently separated from my dad). That definitely tugged at my heart strings.
On a less personal note, here's a breakdown of the different aspects of the show:
1. The Book: Yes the book is no Pulitzer Prize winner, but it is gosh darn hilarious with some very touching and emotional scenes thrown in. Violet's new monologue in the final scene is incredible, one of the most stunning displays of desperation I've seen in a musical comedy ... with a definite emphasis on the word COMEDY. This show is not serious, it is rather straight forward, with no angsty teenagers or matriarchs with bi-polar, but for a 21st century Broadway musical comedy it definitely stands up to be counted.
2. The Score: Dolly's score is not what I expected. Going into the theatre, I was waiting for an evening of country ballads passed off as Broadway show tunes. Instead I got an evening of sure-fire Broadway show tunes, with one county ballad thrown in for good measure. "Get Out and Stay Out" will definitely become a standard in years to come.
3. The Sets/Projections/Lighting/Choreography: Visually the show is stunning. One of the best matches of set design, projection design, lighting design and choreography I've ever had the luck to see live on a stage. The way Scott Pask's set design is complemented by Andy Blankenbuehler's choreography was ingenius. How someone can make a simple walk from a desk to a water-cooler into a funky, original, yet definitely of the time, dance step is beyond me. Each scene change garnered "oohs" and "aahs" from the audience ... truly a visual feast.
4. The Cast: Cast wise, there is not a weak player in the whole company. The ensemble is one of the most perfect mixes of character actors, fierce singers and sassy dancers I've seen assembled. At times they are obviously an ensemble, cast to blend and form a solid group, but at other times (most importantly the office scenes) they become a plethora of characters, each different and there for a reason. The leads are all spot on. I loved hating Marc Kudisch, I loved cringing at Kathy Fitzgerald, I loved swooning over Andy Karl and most importantly I loved rooting for Megan Hilty, Steph J Block and Allison Janney, truly one of the best trios ever seen on the same stage at the same time. Apart they are all very skilled performers, but when they come together they are like nothing else.
Judging by your comments on the board, I would imagine you'll end up not loving the show, but it would be pretty hard to come out of that theatre without a smile on your face and a dance in your step. Please just go along (even use a discount code) and give the show a chance. I promise you won't be disappointed.
Throughout the course of the evening one sees three women transform themselves from somewhat pushovers into strong independent women, something I'm witnessing at the moment with my mum (recently separated from my dad). That definitely tugged at my heart strings.
On a less personal note, here's a breakdown of the different aspects of the show:
1. The Book: Yes the book is no Pulitzer Prize winner, but it is gosh darn hilarious with some very touching and emotional scenes thrown in. Violet's new monologue in the final scene is incredible, one of the most stunning displays of desperation I've seen in a musical comedy ... with a definite emphasis on the word COMEDY. This show is not serious, it is rather straight forward, with no angsty teenagers or matriarchs with bi-polar, but for a 21st century Broadway musical comedy it definitely stands up to be counted.
2. The Score: Dolly's score is not what I expected. Going into the theatre, I was waiting for an evening of country ballads passed off as Broadway show tunes. Instead I got an evening of sure-fire Broadway show tunes, with one county ballad thrown in for good measure. "Get Out and Stay Out" will definitely become a standard in years to come.
3. The Sets/Projections/Lighting/Choreography: Visually the show is stunning. One of the best matches of set design, projection design, lighting design and choreography I've ever had the luck to see live on a stage. The way Scott Pask's set design is complemented by Andy Blankenbuehler's choreography was ingenius. How someone can make a simple walk from a desk to a water-cooler into a funky, original, yet definitely of the time, dance step is beyond me. Each scene change garnered "oohs" and "aahs" from the audience ... truly a visual feast.
4. The Cast: Cast wise, there is not a weak player in the whole company. The ensemble is one of the most perfect mixes of character actors, fierce singers and sassy dancers I've seen assembled. At times they are obviously an ensemble, cast to blend and form a solid group, but at other times (most importantly the office scenes) they become a plethora of characters, each different and there for a reason. The leads are all spot on. I loved hating Marc Kudisch, I loved cringing at Kathy Fitzgerald, I loved swooning over Andy Karl and most importantly I loved rooting for Megan Hilty, Steph J Block and Allison Janney, truly one of the best trios ever seen on the same stage at the same time. Apart they are all very skilled performers, but when they come together they are like nothing else.
Judging by your comments on the board, I would imagine you'll end up not loving the show, but it would be pretty hard to come out of that theatre without a smile on your face and a dance in your step. Please just go along (even use a discount code) and give the show a chance. I promise you won't be disappointed.
Updated On: 4/24/09 at 09:14 PM
#35
Posted: 4/24/09 at 9:31pm
Oz - thanks VERY much for taking the time to post such a detailed description. It's starting to persuade me slightly!
But I still have 2 reservations:
I know if I hate the score of any show I will not enjoy it no matter how good the book (and I hate all the songs I've heard on the 9 to 5 website).
Everyone told me Hairspray is a "feel good show" and was very funny and I found it boring, not in the least bit funny and very irritating.
If I was young enough to get a student rush, there'd be no problem LOL - but I have to pay top price (with my back problem I can't queue at TKTS). I'll just have to call at the theatre and see if they still have good seats left and say f*** it to my hundred dollars and cry all the way home if I hate it!!!! LOL
But I still have 2 reservations:
I know if I hate the score of any show I will not enjoy it no matter how good the book (and I hate all the songs I've heard on the 9 to 5 website).
Everyone told me Hairspray is a "feel good show" and was very funny and I found it boring, not in the least bit funny and very irritating.
If I was young enough to get a student rush, there'd be no problem LOL - but I have to pay top price (with my back problem I can't queue at TKTS). I'll just have to call at the theatre and see if they still have good seats left and say f*** it to my hundred dollars and cry all the way home if I hate it!!!! LOL
THEATRE 2020: CURTAINS**** LET'S HEAR IT FOR THE GIRLS***** WICKED***** KEITH RAMSAY TAKING NOTES WITH EDWARD SECKERSON***** KAYLEIGH MCKNIGHT CONCERT***** RAGS***** ON MCQUILLAN'S HILL** DEAR EVAN HANSEN***** THE JURY***
#36
Posted: 4/24/09 at 9:43pm
Its general rush, but you would still have to wait there for 2 maybe 3 hours. Use discount code 1PBILL on Ticketmaster right now - you can get any seat normally priced $125 for $65 for any performance till mid June.
The songs on the website are "9 to 5", "Shine Like The Sun", "Get Out and Stay Out", and "Backwoods Barbie" right? I personally love how Dolly (or more likely Steve Oremus) has taken the basic theme song from the movie and made it into a true opening number, establishing each characters wants and needs while getting the show off to a cracking start. My personal fav songs are "Change It", "Let Love Grow" (which many find derivative and sappy, but I love it) and "Get Out and Stay Out".
Please just go along (especially now since you'll be paying just over half price) and make up your mind during the course of the evening. Go in with an open mind (which I'm sure you will) and don't prejudge the show based on whose name is plastered all over the marquee and merchandise stall (*cough*Dolly Parton*cough*)
The songs on the website are "9 to 5", "Shine Like The Sun", "Get Out and Stay Out", and "Backwoods Barbie" right? I personally love how Dolly (or more likely Steve Oremus) has taken the basic theme song from the movie and made it into a true opening number, establishing each characters wants and needs while getting the show off to a cracking start. My personal fav songs are "Change It", "Let Love Grow" (which many find derivative and sappy, but I love it) and "Get Out and Stay Out".
Please just go along (especially now since you'll be paying just over half price) and make up your mind during the course of the evening. Go in with an open mind (which I'm sure you will) and don't prejudge the show based on whose name is plastered all over the marquee and merchandise stall (*cough*Dolly Parton*cough*)
#37
Posted: 4/25/09 at 4:09am
Thanks, Oz. You're a dear. Unfortunately there are no tickets available with that discount code for the Saturday matinee performance I could go to. (In fact there don't seem to be any "good" seats available even at face price). I'll just turn up on the morning of the show and see what I can get.
(Note: our musical tastes do seem to be quite different - I listened to Get out And Stay Out and thought it was pretty horrid LOL)
(Note: our musical tastes do seem to be quite different - I listened to Get out And Stay Out and thought it was pretty horrid LOL)
THEATRE 2020: CURTAINS**** LET'S HEAR IT FOR THE GIRLS***** WICKED***** KEITH RAMSAY TAKING NOTES WITH EDWARD SECKERSON***** KAYLEIGH MCKNIGHT CONCERT***** RAGS***** ON MCQUILLAN'S HILL** DEAR EVAN HANSEN***** THE JURY***
#39
Posted: 4/25/09 at 4:28am
No, mama, please, not that. I seriously HATE any kind of shopping! lol
THEATRE 2020: CURTAINS**** LET'S HEAR IT FOR THE GIRLS***** WICKED***** KEITH RAMSAY TAKING NOTES WITH EDWARD SECKERSON***** KAYLEIGH MCKNIGHT CONCERT***** RAGS***** ON MCQUILLAN'S HILL** DEAR EVAN HANSEN***** THE JURY***
#40
Posted: 4/25/09 at 5:11am
Bob!
Stay in Welsh Wales!
'Dreamboats and Petticoats' at the New
'Trivial Pursuits' at the Grand
Stay in Welsh Wales!
'Dreamboats and Petticoats' at the New
'Trivial Pursuits' at the Grand
#41
Posted: 4/25/09 at 8:02am
Bob, you hate shopping and Dolly???
Now, who says we're not a very tolerant board?
Now, who says we're not a very tolerant board?
#42
Posted: 4/25/09 at 11:01am
I won't be in the Grand for a while (apart from Only Men Aloud tomorrow) - I think the Thorn Birds has frightened me off. lol
THEATRE 2020: CURTAINS**** LET'S HEAR IT FOR THE GIRLS***** WICKED***** KEITH RAMSAY TAKING NOTES WITH EDWARD SECKERSON***** KAYLEIGH MCKNIGHT CONCERT***** RAGS***** ON MCQUILLAN'S HILL** DEAR EVAN HANSEN***** THE JURY***
Updated On: 4/25/09 at 11:01 AM
#43
Posted: 4/26/09 at 12:20pm
Saw this last night- phenomenal.
2008: Feb. 18- Rent, Feb. 19- Curtains, April 18- Xanadu, April 22- Wicked, April 26- Legally Blonde, May 31- Wicked, June 13- The Little Mermaid, June 28- Wicked and Young Frankenstein, July 2- The Little Mermaid, July 6- A Chorus Line and Legally Blonde, August 16- Xanadu, September 13- Legally Blonde and 13, September 28- Xanadu and Spring Awakening, Oct. 12-GYPSY and [title of show], Oct. 19- Hairspray & Legally Blonde, Nov. 9- Wicked and 13, Dec. 14-13, Dec. 26- Billy Elliot, 2009: Jan 1- Shrek, Jan 2- 13 and Wicked, Jan 4- 13, Feb 17- In The Heights, Feb 19- Billy Elliot, Feb 22- Sweeney Todd (tour), March 28- Mary Poppins, April 4- Mamma Mia!, April 15- Jersey Boys (on tour), April 25- next to normal & 9 to 5
May 1- Billy Elliot, May 3- Spelling Bee (tour), May 8- Chicago, May 21- Wicked, June 6- Everyday Rapture, June 23- The Wiz, June 25- Hair July 15- Shrek, August 9- Wicked, September 7- Rock of Ages, October 11- Next To Normal, October 23- The Marvelous Wonderettes, November 7- Ragtime November 29- Dreamgirls, December 25- Billy Elliot, December 30- Finian's Rainbow, 2010: January 9- Bye Bye Birdie, January 16- Memphis February 17- The Phantom of The Opera, February 18- God of Carnage, March 7- Billy Elliot, March 31- American Idiot
#44
Posted: 4/27/09 at 11:38am
'9 To 5 ' has just been given 15 Drama Desk Award nominations. The most of any production this year.
Updated On: 4/27/09 at 11:38 AM
#45
Posted: 4/27/09 at 11:40am
Congrats, though it will still get mediocre reviews lol *giggles and runs away*
Namo i love u but we get it already....you don't like Madonna
#46
Posted: 4/27/09 at 11:43am
It will be here soon enough and you will be there watching it and loving every second of it in a live theatre, beats a dodgy DVD any day!
#47
Posted: 4/27/09 at 11:44am
Congrats to all. Really happy to see all three girls nominated for Outstanding Actress in a Musical. Are there any other categories they were eligible for and weren't nominated in? Is that some sort of record?
#48
Posted: 4/27/09 at 11:45am
I love my dodgy dvd, it's shot so well
But your right, i will happily go and watch it when me and my fella are in NY, its camp as tits...its a lot of fun
But your right, i will happily go and watch it when me and my fella are in NY, its camp as tits...its a lot of fun
Namo i love u but we get it already....you don't like Madonna
#49
Posted: 4/27/09 at 6:26pm
Two of my personal criteria already met: 'camp as tits' AND a 'dodgy DVD' (even though I haven't clapped eyes on it yet) - NO WONDER I loved '9 to 5' when I saw it t'other week. 
I Was V. pleased to see these DD noms earlier, esp for Allison Janney and Megan Hilty - I have a strong hunch that the latter will be the most-recognised actress from this show and fair play to her if this is a real break-out role for her. She has a gorgeous voice and great comedic timing. That being said, I wouldn't be disappointed if the sublime Allison Janney finally won a Tony Award either - she was the highlight of the show for me.
I Was V. pleased to see these DD noms earlier, esp for Allison Janney and Megan Hilty - I have a strong hunch that the latter will be the most-recognised actress from this show and fair play to her if this is a real break-out role for her. She has a gorgeous voice and great comedic timing. That being said, I wouldn't be disappointed if the sublime Allison Janney finally won a Tony Award either - she was the highlight of the show for me.
Seen some shows in my time....
#50
Posted: 4/28/09 at 9:34pm
It is really weird on the way some people are reacting to this show -- which is meant to be a light musical comedy.
In reading the All That Chat over at Talkin Broadway board, some initially loved it and others, once they saw that everyone loved it, suddenly hated it. I read these horrible comments that have pretty much no justification other than being negative for negative's sake. Somebody on that board even criticized the set design for being too big and the office set too dull. I thought -- when I pay $100 or more to see a show I want my money's worth in sets, costumes, etc. As for the dull comment, it's an office - they are all dull.
Here it seems to be a liked show. I saw it in LA - liked it enough and saw it had potential. About every complaint I had seems to have been fixed in the transfer.
I'm sure when I see it again, it will be an even better experience.
In reading the All That Chat over at Talkin Broadway board, some initially loved it and others, once they saw that everyone loved it, suddenly hated it. I read these horrible comments that have pretty much no justification other than being negative for negative's sake. Somebody on that board even criticized the set design for being too big and the office set too dull. I thought -- when I pay $100 or more to see a show I want my money's worth in sets, costumes, etc. As for the dull comment, it's an office - they are all dull.
Here it seems to be a liked show. I saw it in LA - liked it enough and saw it had potential. About every complaint I had seems to have been fixed in the transfer.
I'm sure when I see it again, it will be an even better experience.
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