A Deaf Eliza, A Blind Mame
A Deaf Eliza, A Blind Mame
EdEval
Featured Actor Joined: 11/30/16
#1A Deaf Eliza, A Blind Mame
Posted: 7/24/19 at 12:51pm
With Ali Stroker's remarkable Tony win as Ado Annie in the recent Oklahoma revival, why not have other handicapable actors try for other starring roles? How about a deaf Eliza with her signing her words while a backstage Marni Nixon sings them for her. A blind Mame can be led through her paces on stage with a guide dog to help.
#3Roles Played By Differently-Abled Actors?
Posted: 7/24/19 at 1:05pm
Thank you so much for your very much needed able-bodied opinion. Doesn't dismiss any differently-able people at all.
To put a positive spin on this thread, what roles that could be enhanced/changed by differently-abled actors? I think someone did mention in a previous thread of this, to do what Ali Stroker did for Ado Annie, and be played by a differently-able actor, for example a wheelchair. Especially for a young kid, that would be fantastic to see. Any other roles come to mind?
ErmengardeStopSniveling
Broadway Legend Joined: 9/20/18
#5Roles Played By Differently-Abled Actors?
Posted: 7/24/19 at 1:46pm
I would love a less-ableist Broadway. Maybe I'm coming at this from the wrong perspective, but to specify the type of differently-abled actor who could play a role almost defeats the purpose? Unless there are major plot-related specifics of a character, most roles could be adapted to fit different types of actors.
The best thing is to set a precedent with the original production of a new work, whether it's a deliberate choice of the author, or a choice based on someone's audition.
Now, to put on my Devil's Advocate hat, a couple things to keep in mind:
–– a commercially-successful production using multiple differently-abled actors will help this cause significantly. Ali Stroker's Tony win was a major step in the right direction, but Oklahoma! isn't a hit yet, Spring Awakening was a huge flop, Big River was a nonprofit run, and other recent shows haven't made it to B'way (Hunchback, Craig Lucas's I Was Most Alive With You, and Deaf West's other projects come to mind).
–– from a business standpoint, there could be financial limitations: hiring two actors for one character (in a speaking/nonspeaking situation), or adapting a set design/staging/choreo for a long-running show, or adapting the backstage area (there are lots of stairs in B'way houses).
–– some authors or producers might not want to specify if a role is written for an actor of certain abilities, because they think it will be an obstacle for post-B'way subsidiary licensing. I wish that could change, but that's something that will always come up in this type of conversation.
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