Everyone is invited to revisit the original production's reviews. Except for the NY Post I the press was tepid to horrible. EVITA got not one but two pans in the Times, from the daily and then again on the weekend from Walter Kerr, who hated both the material and what Prince did with it. Lupone was given backdoor compliments. ("Ms. Lupone sings the role well and moves with rattlesnake vitality..." That's it.) The show opened to some of the worst reviews for a "big" imported show in my lifetime. And yet was an instant hit.
"thought the score sounds as if Max Steiner had arranged it for Carmen Miranda...(but) there are waltzes and polkas to keep us alert..."
Keep us alert?
"...undramatized hearsay... We never see any of these things happen on stage...we hear about them second hand, mostly from the omnipresent Che...it is rather like reading footnotes from a text that has disappeared...We are condemned to hearing what we want to know ... need to know, if we are to offer any kind of response by a narrator...We're not participants, we're recipients of postal cards...."
May I just say, SIDE SHOW got far more interesting reviews, even when they were mixed. This show was critic proof in 1979, and certainly from the advance may prove so again. But it's never been touted, or especially admired by the press.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling