#1
Posted: 11/20/09 at 4:30am
I have one big issue with this show (along with several others). It seems many people here are charmed by the one-liners, but allow me to state my case: the aura and appeal of the Addams Family as characters is that they are removed from our world. They live in an old Gothic mansion, dress and act in bizarre, abnormal ways, and scare the hell out of everyone on the outside. They're creepy, kooky, mysterious, spooky, etc. as the theme song goes.
So... (MILD SPOILERS)... how does it make any sense for Grandma to tell Pugsley to "stop the texting" and later refer to herself as a "cougar"? When Gomez refers to Ohio as a "swing state" and Morticia claims that something everybody needs but few have is "health care!" The authors are clearly including these references as faux-clever up-with-people gags that may make audiences chortle but completely debase these characters.
Part of what makes the Addamses compelling is that they respond to things in a 180-degree reverse from other people. What's strange to us is conventional to them. How are they so technologically/socially/politically in tune with our world? Would Grandma know what a cougar is? Would Pugsley have a cell phone?
I don't think it's reading too much into it to say that these lame attempts at humor took me completely out of the show. It's demeaning to the audience to assume they can't take a straight musical comedy without a few cheap jabs at the latest fashions. I also felt the same way about the score. Wednesday's "Pulled" is a pat "I want" number that screams Broadway; it feels like an Elle Woods knockoff. Likewise, "Let's Not Talk About Anything Else But Love" has a DROWSY CHAPERONE-like bounce that is completely inappropriate for Uncle Fester, a very off-kilter and eccentric dude.
I just wish this show had more edge, more natural energy. Whatever charisma is displayed comes from the actors' natural personas, not the roles they play. Their talent is certainly onstage, but the material is thin.
So... (MILD SPOILERS)... how does it make any sense for Grandma to tell Pugsley to "stop the texting" and later refer to herself as a "cougar"? When Gomez refers to Ohio as a "swing state" and Morticia claims that something everybody needs but few have is "health care!" The authors are clearly including these references as faux-clever up-with-people gags that may make audiences chortle but completely debase these characters.
Part of what makes the Addamses compelling is that they respond to things in a 180-degree reverse from other people. What's strange to us is conventional to them. How are they so technologically/socially/politically in tune with our world? Would Grandma know what a cougar is? Would Pugsley have a cell phone?
I don't think it's reading too much into it to say that these lame attempts at humor took me completely out of the show. It's demeaning to the audience to assume they can't take a straight musical comedy without a few cheap jabs at the latest fashions. I also felt the same way about the score. Wednesday's "Pulled" is a pat "I want" number that screams Broadway; it feels like an Elle Woods knockoff. Likewise, "Let's Not Talk About Anything Else But Love" has a DROWSY CHAPERONE-like bounce that is completely inappropriate for Uncle Fester, a very off-kilter and eccentric dude.
I just wish this show had more edge, more natural energy. Whatever charisma is displayed comes from the actors' natural personas, not the roles they play. Their talent is certainly onstage, but the material is thin.