Posted: 5/11/18 at 5:35pm
I figured this would be a fun topic to discuss. Some musicals and even composers have been maligned by us musical theatre aficianados but we all know that we have some works that we can't help but love. So, what are some of your favorite guilty pleasure musicals?
For me, I can't help but love the Bernadette Peters cast recording of Song and Dance. I read some people complaining about it for various reasons, but since I'm not familiar with the original Marti Webb version and Marti Webb's version doesn't have "Unexpected Song" I never bothered to listen to it to compare. As a figure skating, the ALW variations on the Theme of Paganini is sort of a staple and of course I love that version of the score, which I know is sacrilege and I'd to see the ballet to that.
I also can't help but LOVE the concept of Song and Dance and the story behind it with Act 1 being about the woman and her relationships told entirely through song and Act 2 being about one of the men going dealing with his issues that led to problems with the woman in Act 1 told through dance.
It seems like the critics massacred it though:
Reviewing the London production, the Financial Times theatre critic Michael Coveney claimed, "It is a long time since I have sat through a more ostentatious, less theatrically coherent evening."
In Frank Rich's New York Times review of the Broadway production, he wrote: "Miss Peters is more than talented: As an actress, singer, comedienne and all-around warming presence, she has no peer in the musical theater right now. In her half of Song & Dance, she works so hard you'd think she were pleading for mercy before a firing squad. Yet for all the vocal virtuosity, tempestuous fits and husky-toned charm she brings to her one-woman musical marathon, we never care if her character lives or dies.."
John Simon, in The New York Magazine, noted that the unseen men seemed "nebulous and unreal, so too, does the seen woman", and in the Dance half, "things go from bad to worse." However, he wrote that "Miss Peters is an unimpeachable peach of a performer who does so much for the top half of this double bill as to warrant its immediate rechristening 'Song of Bernadette'. She not only sings, acts, and (in the bottom half) dances to perfection, she also, superlatively, 'is' "
I don't really like Sarah Brightman in the filmed version of the stage production, but I'm glad to at least be able to experience it.