The 1997 revival had troubles from the very beginning. Even before the replacement of Joanna.
Nell Carter was offered the role but would only accept it on one condition that they write a new song for her and that she'd be the only one to perform it. She also had some backing in the show as well.
The pre-broadway natnl started at TUTS with the wonderful Roz Ryan filling in until Nell was ready. The show got off to a good start but there was trouble in the orphanage early on. It was rumored that none of the girls would make it to Broadway. Some realized...or were informed of this by their managment and shiped up before they were shiped out.
Joanna was an amazing singer but something was honestly missing between her and John Shuck. Brittny was already cast in the show as July and had never really considered being Annie until she was bumped up to the second understudy after Alexandra Keisman.
In Boston Joanna got sick with Bronchitis. She was out for a day. Against Equity rules she was phoned and encouraged to take another day off. Instead of Alexandra going on for Annie Britty was asked to go on and unknown to everyone it was decided that night that Britty would take over the role.
Managment contacted Joanna's "team" with an offer to split the role between the girls. Pondering who would open on Broadway or be on the album her managment declined. She was faxed at about 2am stating that her "services at Annie 20th were no longer needed".
The show moved on to CT with Brittny as Annie, performing in store bought clothes because at this time she had never been fitted for the Annie track. Her hair was cut and died and that's when the trouble started.
The news hit the media like wild fire comming just days after the 20/20 special that gave the show MAJOR publicity from it's Macy sponsered auditions. At this point Nell had been in the show for weeks and tickets were selling well.
There was the idea that Equity would intervene and Joanna would be brough back in but that never happened. The producers payed Joanna out her contract the middle of June 97.
The show then moved to New York and opened with only $262,879.00. The running cost per week was $300,000.00 It only went below that mark 3 times. The producers honestly thought they were doing a good thing for themselves with letting Joanna go...not fully realizing the back lash that would insue.
The reviews weren't glowing but tickets were selling. Brittny Kissinger won over legions of new fans. Like her or not she is the youngest girl to play the role on Broadway to date at 8 years old. The show was nominated for a Revival Tony but lost,,,like every thing else,,,to Chicago.
The Producers also thought the show should be more kid freindly and cut out most of the historical facts and ommitting Hooverville. Before the show closed in October the radio scene was supposed to be thrown out with the Smile song just starting with the Orphans.
Stories of fights between Nell Carter pushing around 6-year old Christiana Anbri too rough in scenes were printed. Young Mellissa O'Mally, probably scared out of her mind, muffed a line that had been cut that day and was not allowed to bow with the orphans that night...again another Eq. no no...
Then came plans to open a revival in London. The producers didn't know whether to send Brittny to London and bring in a new girl to maintain the show in New York. It was decided to close the Broadway show with hardly any announcement. At the final show there was no annoucement of speech...just "business as usual"...the cast thought other wise and most of the girls spent the show fighting back tears.
The tour opened with Nell signed on for only a while. When Sally Struthers got wind that Nell was leaving she was hell bent on getting the role...and she did...with one condition Nell's "song" be removed.
The tour ran strongly for a good 2 years. Two inches is the contractual growth alloted. Brittny was never asked to leave and it is quite clear that the producers and Martin liked her.
8 Years old is pretty young for someone to carry a Broadway show. She may not have been ready then but she sure carried her self like a little pro. After a few months of performing she really came into the role.
I too would like a new directorial effort for a future revival. Martin has done the same thing over and over again...while it is good it is not new. For todays Broadway it needs to be looked at from a fresh eye...and possibly have Dakota Fanning in it...i don't know...I just don't think it is going to do well on the boards again...I love the show as you can tell...Like Chey Jackson I was supposed to be the first male Annie but i grew up too fast.
SORRY TO BORE YOU ALL
Updated On: 6/22/05 at 03:35 PM