THE MATCHMAKER stands on its own fabulously. Shirley Booth breaks the fourth wall throughout the film which adds quite nicely. Plus, a young Shirley MacLaine as Irene Malloy and Anthony Perkins as Cornelius? You can't go wrong in any way possible. The film was shot in black and white. It was a cinematic choice and an art form so accept that. Color film has existed since the early 1930s (1939's THE WIZARD OF OZ and GONE WITH THE WIND are prime examples). Black and white films were intentional and a creative choice not a limitation, like 1966's WHO'S AFRAID OF VIRGINIA WOOLF? as well as 1983's RUMBLE FISH. Asking for a colorized version of a black and white film is preposterous and I'll be diplomatic and leave it at that.
Updated On: 4/29/17 at 02:07 PM