"I don't know if this has been asked before, and I am too lazy to do a search right now. Do you happen to know what the criteria is for Encores to select a piece? Does it have to be a certain age or a certain number of years since it's been performed? I've only seen vague explanations of how the shows are chosen, and it sounds to me like it really up to the discretion of the artistic director."
It's really a decision between Jack Viertel, the artistic director, and the musical dirctor. One or two years, they passed out surveys to the audience, but I think they were just used as indicators.
The original intent was to pick shows that would not be produced anytime soon on Broadway and also some that didn't have a cast recording available and give them a first class "listen". As Michael Bennett stated above, they sort of abandoned that idea with Chicago (and subsequently Hair and Wonderful Town, all of which had Broadway potential).
It's my personal feeling that once Judith Daykin left, Encores began falling apart. With Rob Fisher leaving, and taking a good majority of the orchestra, it will continue to crumble.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
Updated On: 5/18/05 at 05:26 PM