Okay, since you're talking about the rush, I did do it yesterday (Monday). The first people had gotten there at 8 AM--and it was COLD. I showed up at 9:15 (and yeah, I have a job but they do give me two days off

By 10, there were about 20 people. They first gave out Row AA center orchestra, then gave out side center aisle seats in Row A and Row BB, which actually might be a bit better because the stage is indeed very high. At the risk of looking like a complete dweeb, I actually brought a small cushion with me so that I could really see from the front row (and hey, I'm so short, I knew it wouldn't bother the guy behind me!)
So I'd say that even though there were folks who managed to get rush tkts for Sunday's matinee at 12:30, I very much doubt that you could get anything but standing room if you WEREN'T there when the b.o. opened--especially later in the run, if the show isn't well-reviewed.
That said, it was a pleasure rushing this show. I'd kept looking for seats with the code and come up dry. So the happy surprise was that there were actually rush seat locations for last night's show that had gone for much higher prices for other performances on Telecharge. I'd thought about stage-dooring it but it would've been really hard to get from the front of the orchestra to that door in time to join that crowd, though I'm sure it can be done if you're seated in the back of the house.
Rush logistics aside, I enjoyed View from the Bridge a lot. Johansson was just fine and Liev Schreiber is always terrific. I didn't see the version with LaPaglia and Murphy so I can't compare the two...but for my $26.50, a great deal.