I agree with you, Liverpool, basically entirely. I enjoyed it immensely. I did expect to be more affected, as the NYMF production really hit home at the end somehow...but there was something that didn't pull the final heartstring for me. Part of it could have been that highly non sequitur ending. Which needs to be fixed, pronto.
Of all of the cast members, I took most issue with Ripley as well. I'm not well-versed in the canon of Alice Ripley, but there are some serious vocal issues. It sounds like she's either a) trying too hard, it sounds like it's difficult, b) in pain or c) trying too hard because she's in pain. I am concerned for her voice. It sounds like a cord could pop at any moment, especially in the upper range before she hits her comfortable belt zone. There was just something missing. And I hope nothing is seriously damaged.
D'Arcy James was great, Tveit was phenomenal in his fluidity and characterization, and Damiano was good, but I imagine with more time she'll really hit it. Somers was solid, but didn't leave an impression on me. Chanler-Berat was fine.
I really did like it, a lot, and will definitely make a return visit. I love this project, and the subject matter, and glad it can be addressed and presented in such a fine manner.
Also, major props to AnnMarie Milazzo for glorious vocal arrangements, once again. The woman is FANTASTIC. She has a fantastic ear and really knows what she's doing. She is so impressive!
"I'll cut you, Tracee Beazer!!!!
...Just kidding. I'd never cut anyone." -Tina Maddigan, 9/30/06, WS stage door
Avatar: JULIE "EFFING" WHITE, 2007 TONY WINNER. Thank God.
I'm thinking about legally changing my name to Lizzie Curry...
Updated On: 1/17/08 at 12:24 AM