Posted: 2/15/16 at 8:03pm
Was surprised to visit the New York Times' theatre page and see that Brantley himself had reviewed the Menier Chocolate Factory's production of FUNNY GIRL directed by Michael Mayer and starring Sheridan Smith. He is positive about Smith with some reservations and is otherwise negative on the production itself, including the rest of the cast. I think it's pretty interesting that even as much as he clearly enjoys Smith's natural talents, he can't help but addressing the fact she is quite miscast as Fanny Brice:
Ms. Smith is, no doubt, aware of the stamp with which Ms. Streisand embossed these songs. And there’s not a single Streisandesque intonation in her Fanny Brice.
As she embodies Fanny’s rise from a klutzy dreamer in Brooklyn to a Ziegfeld brand name, she often substitutes a wistful, hopeful reediness for the all-conquering brass with which Ms. Streisand endowed the role. She performs “People,” the show’s best-known number, with a melting delicacy that makes it utterly her own.
But a melting Fanny Brice gives “Funny Girl” a soft center, and the production as a whole acquires a soggy sentimentality that reveals the show’s age. Isobel Lennart’s original book has been retooled (with an emphasis on the benignly risqué
by the Broadway polymath Harvey Fierstein. But as a portrait of an embattled woman pulled between the demands of love and success, “Funny Girl” still exudes the tear-stained hoariness of a black-and-white weepie from the 1930s.
Updated On: 2/15/16 at 08:03 PM