See, the Kerr to me is so unique, that I can't actually tell if I love or hate it. I just hold it kind of outside the realm of judgment; it's just the crazy Kerr marquee.
I personally love the Friedman's decor. MTC really made it look just beautiful; modern yet not brash. Dignified, sleek and cool.
And the Broadway, I kind of love the marquee itself, but no show I've seen there in a long time has fit it well. Maybe COLOR PURPLE was the last one to look good on it? I love the design of the marquee in general, but it is a bitch to design around.
As for individual shows right now, I think PIPPIN is making damn fine lemonade out of the Music Box's new video-marquee lemon. Patina's flyby every minute or so is utterly delightful, and hopefully other video billboards will make use of that kind of whimsy (looking at you, Aladdin.) MACBETH is a suitably creepy-as-all-get-out marquee, with Alan Cumming just mesmerizingly scary up there. Also the artwork for BREAKFAST AT TIFFANY'S is far and away the best part of that show. Talk about peaking too soon; the show peaks before you go inside the building!
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.