BOOM! is Tennessee's favorite film adaption of his work and it is freaking terrific.
AMADEUS is one of the greatest films ever made, so that would probably top my list.
I'm in the minority on these two, but I thought they were pitch perfect in their adaptations: DOUBT and ANGELS IN AMERICA.
On the Shakespeare front, I think Kenneth Branagh's MUCH ADO ABOUT NOTHING is fantastic-- Keanu Reeves notwithstanding.
I realize I submitted a fairly exhaustive list earlier, but here, for your consideration, are more:
GASLIGHT (ANGEL STREET is a good play but GASLIGHT is a masterpiece)
STAGE DOOR
'NIGHT, MOTHER (I know, I know... but for me Spacek - also by far the best thing in CRIMES OF THE HEART - makes it unforgettable)
TWENTIETH CENTURY
THE WOMEN (not a Shearer fan but for camp value, of course, and because Mary Boland and Paulette Goddard are so damn good in it)
THE AWFUL TRUTH
HIS GIRL FRIDAY (much has been said or intimated on this thread about her work in other adaptations of plays, but this is a great movie with Rosalind Russell at her best)
ANNA CHRISTIE
THE LETTER
BORN YESTERDAY
A THOUSAND CLOWNS
THE ELEPHANT MAN
THE SUNSHINE BOYS
MARVIN'S ROOM (if, for no other reason, Keaton's beautiful performance)
and last year's best picture winner, MOONLIGHT
Broadway Legend Joined: 4/1/08
No one has mentioned the film version of The Country Girl. I did not realize until I saw Mike Nichols' miscast revival how good a film version it actually was.
The Other One said: "No one has mentioned the film version of The Country Girl. I did not realize until I saw Mike Nichols' miscast revival how good a film version it actually was."
Personally, I've never been able to get through it all (and I have to admit the same for Lumet's LONG DAYS JOURNEY - mostly because Ralph Richardson, so good in THE HEIRESS, seems so wrong to me as James Sr. - perhaps a personal prejudice). And actually much prefer the 1982 tv production with Dick Van Dyke, Faye Dunaway and Ken Howard.
Swing Joined: 5/31/16
I know the film has its flaws, but I love Wait Until Dark. The last scene with Audrey Hepburn and Alan Arkin is classic.
It's a bit controversial here (and everywhere), but The Boys In The Band was a pretty fantastic adaptation of the stage show IMO.
I quite liked Frost/Nixon movie too.
Of newer adaptations, I actually really liked All The Way adaptation starring Bryan Cranston.
PS - didn't know The Little Foxes was a movie too, I have to watch it now :)
Valentina3 said: "It's a bit controversial here (and everywhere), but The Boys In The Band was a pretty fantastic adaptation of the stage show IMO.
I quite liked Frost/Nixon movie too.
Of newer adaptations, I actually really liked All The Way adaption starring Bryan Cranston.
PS - didn't know The Little Foxes was a movie too, I have to watch it now :)
"
Yes it's one of Bette Davis's most famous performances.
https://www.youtube.com/watch?v=b7aEQCIGxrA
henrikegerman said: "'NIGHT, MOTHER (I know, I know... but for me Spacek - also by far the best thing in CRIMES OF THE HEART - makes it unforgettable)"
I almost added this to the list when I added "Vanya...", but it's such a DOWNER! Although I agree with you that Spacek gave a fantastic performance, I thought that Ann Bancroft was equally as good, and in the end, I understood and empathized with Spacek's character, but I wept for Bancroft's.
To me, it was clear in Bancroft's performance that she believed there was "a change" (not wishing to spoil the plot). ...so I wept for her in the end. I think that both actresses found exactly the right levels to play regarding how much hope their characters should give the audience.
whoops, two more:
Cukor's CAMILLE
Lean's BRIEF ENCOUNTER
Valentina3 said: "PS - didn't know The Little Foxes was a movie too, I have to watch it now :)."
Valentina, you are in for a treat. I wish I could relive seeing that movie for the first time.
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