Because the votes are secret, we never know how close some of those races were.
In the end, the Tony is just a marketing tool and only really prolongs the runs of marginal shows. MISS SAIGON ran 10+ years without winning best Musical. GREASE ran 8 years.
The best part of teh awards is the chance to see 5 minute excerpts on TV. Sometimes these help shows that don't win teh big award. GRAND HOTEL was saved from failure by being showcased at the top of the 1990 Tonys.
I don't always agree with end results. In 1995 they should have NOT given an award since SUNSET BLVD was teh only new musical and it was hardly an award wrthey show.
When a show takes Best Book and Best Score it SHOULD automatically be named Best Musical!
Revues and Juke Box shows (FOSSE, AIN'T MISBEHAVIN') should be special events and not eligable for Best musical.
Revivals of shows that were born before the Tonys should be eligable for Best musical. (I.e. in 1995 SHOW BOAT would have won Best musical.)
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com