Haha. No one else mentioned this threads headline that at first comes across like a report that the shows sets fell down?
I finally got around to catching the show & even though I went into it not really caring for earlier versions, I found that this one magically transcends the shows limitations & gives it's audiences a hell of a BIG SHOW that ends up being a polished delight. I enjoyed the sound/orchestra, lighting, & costumes, the most.
Sheer quantity here seems to make up for some lack of quality nuanced theatre art.
Tony Yazbeck seems like the show's strength. As a terrific song & dance man, his singing & poignancy of being the sole sailor who doesn't score the gal is very nicely achieved.
I also liked the other 2 guys even if their style & basically comic dancing personas blur together as indistinguishable to me. Of the gals, I liked Elizabeth Stanley's big-eyed ditzy glee that felt like helium or laughing gas to me (even if she didn't quite capture "Some Other TIme" all that strongly.) To those who know Gilligan's Island, her performance was like a younger somewhat frantic Mrs Thurston Howell the 3rd reborn as a soprano. What she was doing just looked like fun to me, even if her character was an abusive 2-timing adulterer.
The show mainly reminded me of some of those classic modernistic 50's cartoon shorts - interspersed with numbers - or extended vaudeville/burlesque sketches dedicated to presenting NYC which all-in-all comes away as the winner. I'm so grateful I had a chance to catch this before it disappeared on Bwy.
Updated On: 8/21/15 at 01:56 PM