Love your message, Cinders! I, too, am terribly sorry to see this wonderful production go. My thanks go to the producers for keeping it running. I was not able, due to work commitments, to see it until May, and have taken friends to it twice since. If the producers had not been so generous, I would have missed it entirely. OTT has had 14,000+ seats to sell each week (how many does it take Fun Home, for example, to sell out?). It is beautifully performed and played. It is also makes demands on the audience that many shows don't these days (e.g. the score is of major sophistication, the numbers are often very long, if brilliant, it takes an appreciation of classical dance). But that's why I love it! Thank you, On The Town!
That cast album is more than amazing. It was the best cast album of the season as far as I'm concerned. The production may not have been a financial success but there was so much love and passion put into it by the cast, creatives and especially the producers who kept it open for as long as they did in that huge theatre that the money almost doesn't matter. Almost. I know at the end of the day it's all about making a profit but everyone involved still created a production to be proud of.
Having just seen the show tonight, I have to say I am saddened to see this show. I wasn't going to originally see this but came across some comped tix and went and was really pleasantly surprised. The entire production was one of the best of last season and it was very fresh and had a slightly modern take to it, and I felt every single member of the company did a great job. I feel bad that there aren't too many shows that sell well at the Lyric because in my opinion it is a grand, beautiful theatre and one of the best on Broadway to enjoy a show. I was house left Orchestra Row R and had a fantastic view from there! Most of the orchestra seemed to be filled up (except some of the sides were scattered a bit) but I couldn't tell what the story was in the dress circle or the balcony. At the very least I hope this does well on tour and/or regional productions because I ended up having a really helluva time! (I know, but I just had to)
Would being in a smaller theatre have made that much difference though?
If the cast, orchestra and physical production were the same then aside theatre rental not much would change in terms of running costs. Would more people have come to see it in a smaller venue? Probably not as majority of theatregoers don't care what theatre a show is in. So grosses wouldn't have changed.
At least in a bigger theatre they had the chance to try and sell more tickets even at a lower price. In a smaller theatre there would be fewer seats but still sold at a lower price.
I and my husband had tickets for OTT this past Thanksgiving weekend. I ended up having surgery and could not go but he did. He raved and raved and loved it. I was very disappointed of course, but s**t happens. We talked about it again, decided to get tickets again, and got 2 great seats for 9/6 before we found out it was closing night. I feel so lucky that now I'll be able to see it, the Broadway Gods were with us this time around!
> It was very "Broadway as usual" and didn't innovate or break the mold as much as other musicals in its season (Fun Home mainly, but also On the Twentieth Century as well as Hamilton if you count Off-Broadway).<
How would a 70 year old musical like On the Town be expected to "innovate" like a new musical? How did On the Twentieth Century "break the mold," exactly? And with its four major ballet sequences, On the Town was an innovator in its day, although Broadway, with its short term memory, now thinks ballet on Broadway was discovered by An American In Paris.
Begin at the beginning and go on till you come to the end: then stop.
again, does anyone know if Copeland will do the final show?? She's not scheduled to do Sat. & Sun. evenings.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Assuming that's a contractual decision, I'd assume we wouldn't know the answer to that until the date gets closer and closing night details are announced.
I've been listening to the cast recording again after reading the closing notice, and I just can't get over how great the score sounds with the production. I really wish I could see this one more time before it closes. Once just wasn't enough.
"There’s nothing quite like the power and the passion of Broadway music. "
"We can knock the producers for pouring money into this for a year, but they kept a great show - with some of the best reviews of the entire season - alive for a lot longer than the traditional fate of a fall musical would allow. And for that, it kept a huge orchestra and huge ensemble employed in from of very appreciative audiences. "
I liked the revival, but never was completely in love with it. However, Tony yazbeck's performance was one of the best I've ever seen. If he's on the tour it will be much less of a loss.
just saw that Tony Yazbeck is out of the show all weekend with an injury, and Tyler Hanes is filling until he gets back on Tuesday. I didn't have a desire to see the show again, but I loved Tyler in the role at PaperMill, so I'm going back. (Still on TDF for this weekend btw). Anyone know why they went with Tyler instead of the understudy? I'm pretty sure he's been doing regional shows this summer, and wasn't in the production at the Lyric previously.
"just saw that Tony Yazbeck is out of the show all weekend with an injury, and Tyler Hanes is filling until he gets back on Tuesday. I didn't have a desire to see the show again, but I loved Tyler in the role at PaperMill, so I'm going back. (Still on TDF for this weekend btw). Anyone know why they went with Tyler instead of the understudy? I'm pretty sure he's been doing regional shows this summer, and wasn't in the production at the Lyric previously.
I wonder how long Yazbeck's been injured? Hanes was added into the program as the Gabey s/b last week, so I'm guessing it was just a matter of him learning everything before officially going on. Also Clyde Alves has been out of the show as he's away doing OKLAHOMA at the MUNY. So two leads have been out since [at least] last week & a new Ivy started on Tuesday.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
yes, Cody Johnson was on all last week as Ozzie. Cory Lingner is on all this week as Ozzie.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Kevin Worley understudied the role of Gabey as well, but he left the show recently. Not surprised they added Tyler Hanes. I'd kind of like to see him. I'm going to the final Wednesday matinee.
Hey Dottie!
Did your colleagues enjoy the cake even though your cat decided to sit on it? ~GuyfromGermany
I saw Tyler Hanes last night. He was charming in the role and, when called for--'Lonely Town', for example--powerful and very affecting.
I was sorry that my guest missed Yazbeck's performance, but I love seeing a talented performer stepping into a role like this, and I was really pleased to see Hanes.
The audience has evolved into the standard late-in-the-run mix of tourists in T-shirts & cargo shorts and groups of First Responders from Moonachie, but those kids up on the stage are still singing and dancing their hearts out, God bless them. It was still a great evening of theater.
You think, what do you want?
You think, make a decision...
I saw Tyler yesterday afternoon. As someone who has seen this production 11 Times, I think they should let Tyler fill in for Gabey for the rest of the run. Tony Yazbeck is fantastic but needs to heal his foot and Tyler brought so much to the role.
Tyler Hanes was in the Paper Mill version and I really love him in the role. He is outstanding. ( PS I also adore Tony Yazbeck in the role!) This happens to be my favorite revival running on Broadway. I personally think Tyler is a better dancer and was really moved yesterday. Go and see him if you can!