Oh, that reminds me, I want to ban any other Phantom other than Lloyd Webber's. For me, all the other scores (especially DAVID SPENCER'S) Were too cheesy. And most other stage versions cut out Raoul... The book for Yeston's was hysterical. They kept trying to find a way to show us how they first meet and it's not needed. Webber's is the only one I didn't laugh at. And it's the only one that has the kind of operatic score I would expect a musical called "The Phantom of the Opera" to have. The "Prima Donna" section where all nine of them are singing at the same time is so gorgeous....
Spencer's is like Disney's Phantom of the Opera and Yeston's is way too far from the original novel for me to even take it seriously. Plus I found myself listening to the songs thinking "Why is he singing, right now? This song is pointless." But, alas, this is just me opinion. Stone me if you want, I don't care....
Updated On: 5/15/04 at 07:34 PM