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Broadway Grosses: Week Ending 4/2/23 — Page 2

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#26

Broadway Grosses: Week Ending 4/2/23

quizking101 said: "I think the situation with Leopoldstadt is that it was a hot ticket in the beginning because it was an original and very personal play, possibly the final, from a storied playwright.

Had they closed in March like they planned, they would’ve probably been able to leave on a high and then something else could’ve taken the theatre for April. But they got greedy and now they’re trying to remain in a crowded field that includes two Pulitzer Prize winners (Fat Ham and Cost of Living).

Everyone who wanted to see it has seen it. This is not a show that would gain a following of repeat customers
"

First of all. there are 100% repeat customers for this show, but regardless no producer is banking on making bank off of repeat attendants. But its another wild comment re producers greed here: does it occur to you that the team behind this want as many people to see this as possible, and took a financial risk? Why is this a bad thing?

#27

Broadway Grosses: Week Ending 4/2/23

re: LEOPOLDSTADT –

Sonia Friedman is better at this than most other producers, and she probably had THE FERRYMAN in mind when she extended it. That play similarly had an extended run, a quiet winter, and then got a boost after Tony wins. This has had higher highs and lower lows than FERRYMAN. I don't know if the Tonys will bump it in the same way, but we shall see. There was probably also hope that the WOM could have permeated beyond NY theatergoers more than it has.

Updated On: 4/4/23 at 10:46 PM

#28

Broadway Grosses: Week Ending 4/2/23

What's interesting to me about Leopoldstadt is how quickly it started doing poorly with the addition of new cast members, which is odd because it wasn't that a bunch of box office stars left or something. But then, they left after a 6-month contract. So, maybe it had more to do with 6 months being how strong their business was.

I, for one, hope they're able to finish their run.

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