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Broadway Grosses: Week Ending 6/14/15

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#1

Broadway Grosses: Week Ending 6/14/15

Broadway Grosses: Week Ending 6/14/15 Click below to access all the grosses from all the shows for the week ending 6/14/2015 in BroadwayWorld.com's grosses section.

Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.

Click Here to Visit the Broadway Grosses...

Up for the week by attendance was: IT SHOULDA BEEN YOU (10.5%), GIGI (10.4%), LES MISÉRABLES (8.6%), CHICAGO (8.0%), THE PHANTOM OF THE OPERA (6.9%), MAMMA MIA! (6.5%), JERSEY BOYS (5.9%), SOMETHING ROTTEN! (5.7%), THE VISIT (5.6%), MATILDA (4.9%), KINKY BOOTS (4.6%), BEAUTIFUL (3.1%), FINDING NEVERLAND (2.8%), THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (1.6%), A GENTLEMAN'S GUIDE TO LOVE AND MURDER (1.5%), THE AUDIENCE (1.1%), WICKED (1.1%), ON THE TWENTIETH CENTURY (0.6%), THE BOOK OF MORMON (0.4%),

Down for the week by attendance was: HAND TO GOD (-14.5%), ON THE TOWN (-11.0%), FISH IN THE DARK (-10.9%), THE KING AND I (-3.1%), WOLF HALL PARTS ONE & TWO (-3.0%), AN ACT OF GOD (-1.7%), AN AMERICAN IN PARIS (-1.0%), HEDWIG AND THE ANGRY INCH (-0.8%), FUN HOME (-0.4%), THE LION KING (-0.4%),

Click Here to Visit the BroadwayWorld Grosses...

#2

Broadway Grosses: Week Ending 6/14/15

The one that sticks out is "On the Town".


With an average ticket price of $67 it's only at filling 59 % of its seats.


Ouch.


"when I’m on stage I see the abyss and have to overcome it by telling myself it’s only a play." - Helen Mirren

Updated On: 6/15/15 at 03:15 PM

#3

Broadway Grosses: Week Ending 6/14/15

I feel so bad for OTT. They had the best tony award performance, besides fun home. I feel they might announce a closing date after this. Also ISBY, did that performance really help that much?


My father (AIDS) My sister (AIDS) My uncle and my cousin and her best friend (AIDS, AIDS, AIDS) The gays and the straights And the white and the spades
#5

Broadway Grosses: Week Ending 6/14/15

^ What are you talking about? Every show saw their grosses increase with the exception of THE KING AND I which fell a whole $976...


"I shall stay until the wind changes."
#6

Broadway Grosses: Week Ending 6/14/15

I think the drops for "The King and I", "Fun Home" and "American in Paris" are relative to they are still robust healthy box office grosses.


"when I’m on stage I see the abyss and have to overcome it by telling myself it’s only a play." - Helen Mirren
#7

Broadway Grosses: Week Ending 6/14/15

I know it isn't where it "needs" to be yet, but I'm pretty impressed with the jump for ISBY. I think Lisa Howard was the best performance on the Tonys. Friends of mine who only casually follow and enjoy Broadway shows took interest in that show all of a sudden, and I'm sure it wasn't just them.


Considering NO nominations, it seems to have benefited a lot. Hope it helps them stay through the summer. I thought the show was delightful. (And I also love deep dark shows too.... We CAN have both).

#8

Broadway Grosses: Week Ending 6/14/15

It's hard to call "Fun Home" a decline when it's SRO at 103.3 percent capacity, and "An American in Paris" is at 99 percent capacity, and both actually increased their Gross sales from last week and both had their highest grossing weeks ever.



"when I’m on stage I see the abyss and have to overcome it by telling myself it’s only a play." - Helen Mirren

Updated On: 6/15/15 at 03:41 PM

#9

Broadway Grosses: Week Ending 6/14/15

I think the King and I drop could have been from O'Hara being out all weekend and the refunds given. I was expecting it to be more from the reports of long lines for refunds at the box office.


"Broadway...I'll lick you yet!"
#10

Broadway Grosses: Week Ending 6/14/15

"How could shows who won and/or performed at the Tonys drop in sales ? "


What if the performance sucks?


Stephanatic
#11

Broadway Grosses: Week Ending 6/14/15

"I know it isn't where it "needs" to be yet, but I'm pretty impressed with the jump for ISBY. I think Lisa Howard was the best performance on the Tonys. Friends of mine who only casually follow and enjoy Broadway shows took interest in that show all of a sudden, and I'm sure it wasn't just them.
Considering NO nominations, it seems to have benefited a lot. Hope it helps them stay through the summer. I thought the show was delightful. (And I also love deep dark shows too.... We CAN have both). "


Her performance was my favorite. I think the testimonial that DHP read before also helped.

#12

Broadway Grosses: Week Ending 6/14/15

Anyone who thinks 400k for a musical is a good number is delusional. I don't care how much they increased from last week, they are not doing well.
#13

Broadway Grosses: Week Ending 6/14/15

Good numbers for Chicago. Brandy is helping to bring in a lot of new theatregoers. I wonder who Duncan Stewart has planned for Roxie, after Brandy.


"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)
#14

Broadway Grosses: Week Ending 6/14/15

No one said it's a good number, though it is hardly a bad number for a small musical. No, it isn't a hit. why is there always a negative response to people who have only said something positive? It is so frustrating.


And it also seems the people who trash a show for not making money are the same people asking where to find discount codes and rush policies.

#16

Broadway Grosses: Week Ending 6/14/15

jdrye22-


I must say I can't fathom the connection you are making between discussing a show's finances and asking about discounts. It must be based on some bizarre feeling that we should not observe or behave according to the law of supply and demand.


It is not "trashing" a show to note how it is doing (whether well or poorly). Some of us are interested in the numbers, just as some of us are interested in batting averages and ERAs.


How exactly is it that you think talking about a show's numbers creates some obligation to pay full price for tickets to it?


And of course I guess you are also oblivious to the fact that discounting is a way shows try to do better overall financially when they are not mega-hits; but that too requires that you not ignore the law of supply and demand.

#17

Broadway Grosses: Week Ending 6/14/15

This is my first time looking at these types of figures. How can a show have more than 100% of potential gross or seats? (I'm looking at Book of Mormon, for example.) Is that because the potential doesn't include standing room? OR is it something else. Not that it matters; I'm just curious...

#19

Broadway Grosses: Week Ending 6/14/15

OTT may be the next show to drop


It is on TDF for about 17 or 18 dates with a few on other services that shall remain nameless. Unless the producers are willing to put in money to prop it up, it seems to be toast. Sad to say but it is what it is. As we saw with The Visit, good shows are closing prematurely with increasing frequency these days.


Poster Emeritus
#21

Broadway Grosses: Week Ending 6/14/15

Now that Sierra is leaving or has already left ISHBY, how much longer until they post a closing notice. She must have seen the writting on the wall and that is why she joined School of Rock right? Besides being an ALW production, and she is his darling, after all.


I feel sorry for OTT, especially the cast, they have a great show, but no one is going to see it. Have they even been open a year?

#22

Broadway Grosses: Week Ending 6/14/15

Sierra is remaining in School of Rock through the summer, at the earliest. She is only doing School of Rock on Broadway which has a while until it starts. No one is seeing ISBY as a money maker, but they are trying to make it through the summer

#23

Broadway Grosses: Week Ending 6/14/15

Granted, every ripple is greater in a smaller pond, but is Sierra that big a draw for IT SHOULDA BEEN YOU's audience?


Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
#24

Broadway Grosses: Week Ending 6/14/15

"Now that Sierra is leaving or has already left ISHBY, how much longer until they post a closing notice."


This doesn't even make sense. She is barely even IN this show… she is not the one keeping it afloat. At least not in my opinion.


"Unless the producers are willing to put in money to prop it up, it seems to be toast."


The producers HAVE been putting money into it. The show hasn't made its nut since January.

#25

Broadway Grosses: Week Ending 6/14/15

I could not be more perplexed by the characterization of the Fish in The Dark box office by all of the sites reporting on it that this box office plummeted. The drop is certainly noticeable. But that gross is very impressive - along the lines of what Curious Incident and Skylight and Kinky Boots are doing. I would think any play producer would be ecstatic to gross over $800,000. Larry David was a freak of nature. But it would seem Jason is proving his worth.

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